Album Review: Mary Lattimore- Goodbye,Hotel Arkada

Don’t let the title fool you – the fifth studio album from LA harpist Mary Lattimore isn’t a hippy-dippy concept album. Rather, it invites adjectives like “ethereal” and “otherworldly” . Very much a collaborative project, Lattimore has again created music that exists in liminal spaces, dense but delicate, and powerful even when calm. The blurringContinue reading “Album Review: Mary Lattimore- Goodbye,Hotel Arkada”

Lost In Music: The Cramps- Off The Bone

Produced alongside The Box Tops and Big Star’s singer Alex Chilton, Off The Bone is a 1983 compilation of songs by The Cramps. Well, okay, it’s mostly cover versions, but the band make them very much their own. From a pounding take on Sam Phillips’ Domino, to the cartoonish libido running feral on Charlie FeathersContinue reading “Lost In Music: The Cramps- Off The Bone”

Album Review: Mong Tong- Tao Fire

The enigmatic Taiwanese brothers, Hom Yu and Jian Chi , who record as Mong Tong, have created a stunning album here. It’s a blend of traditional “kitsch sound” as they describe it, fused with ambient sounds and psychedelic rock. What makes it so exciting is this description barely scratches the surface. There’s a deeper wellContinue reading “Album Review: Mong Tong- Tao Fire”

Album Review: Creep Show- Yawning Abyss

John Grant’s side project with Stephen Mallinder, Phil Winter and Ben Edwards ( aka Wrangler) is more light than their gothic moniker may suggest. Full of bright eighties electronics, their second album mines favourites like Erasure and pop era Kraftwerk, playfully homaging these timeless sounds. Moneyback is more contemporary club though. Tracks like Bungalow andContinue reading “Album Review: Creep Show- Yawning Abyss”

Album Review: Squrl- Silver Haze

There is mood music, then there’s mood music. Squrl, who are comprised of legendary film director and musician Jim Jarmusch and mega film producer and musician Carter Logan, plus some special guest collaborators, have made an exquisite, shimmering noise here in their first full-length studio album. It’s full of their trademark churning, psychedelic rock swirls,Continue reading “Album Review: Squrl- Silver Haze”

Album Review: Katie Gately- Fawn/Brute

The third album from American experimental artist Katie Gately has an illustration of two characters on the cover reminiscent of a Harlequinade. This seems apposite for a record that’s full of strange characterisation. Each title is one adjective only. Again, fair enough, as there are whispers, whoops and dark, nefarious threats lurking in corners. ForContinue reading “Album Review: Katie Gately- Fawn/Brute”

Album Review: Mandy, Indiana – I’ve Seen A Way

The quartet from Manchester, founded by Valentine Caulfield and Scott Fair, now joined by Simon Catling and Alex MacDougall, have a hell of a blistering debut here. It’s experimental music which feels like being driven blindfolded to unknown territory. ‘ Pinking Shears’ is brittle and fuzzy, and there’s minimalist industrial shades to ‘Injury Detail’. ThisContinue reading “Album Review: Mandy, Indiana – I’ve Seen A Way”

Album Review: Anna B Savage -in(FLUX)

This second album from Anna B Savage sees her embracing dualism. Her powerfully fluttering voice is a disarming tool, whether a whisper or scream. With carnal desire to the fore, as in ‘Pavlov’s Dog’, or ‘The Orange’, dealing in relationship closure, her songs run the gamut of emotions, marking her out as a rare artist.Continue reading “Album Review: Anna B Savage -in(FLUX)”

Lost In Music: Christeene- Midnite Fukk Train

Louisiana -raised Paul Soileau, aka Christeene, is normally best experienced live, as the live artist is wilfully provocative. She’ll krump on punters, pull things from out of her ass and push you into the void. So her music often gets sidelinedJ. Not so with her third album, Midnite Fukk Train. It stands on its ownContinue reading “Lost In Music: Christeene- Midnite Fukk Train”

Album Review: Superorganism – World Wide Pop

Perfect pop often tightropes precariously between euphoria and melancholy. So it is with Superorganism, the London- based, globally sourced pop act. Orono Noguchi’s sweet youthful vocals can be soulfully sad, joyful or snarky and cynical. It’s all anchored by quirky textures, samples and grooves. Like a Lego kit, the band thrives on building little empiresContinue reading “Album Review: Superorganism – World Wide Pop”