Greg McHugh, Gregor Fisher and Kevin Bishop. The second series of Only Child carried quite a weight of expectation: would it be as good as the first? Well, there were moments when it almost teetered into farce, notably during the driving lesson episode. Yet somehow, both Bryce Hart’s characterisation and the consistent cast keep itContinue reading “TV Review: Only Child, Series 2”
Category Archives: Review
Film Review: Liza Minnelli-The Last Heiress of Hollywood
Lucie Caries’ film about Hollywood icon Liza Minnelli is candid and moving, precisely because her subject isn’t afraid to speak openly and honestly about her tragedies as well as triumphant moments.So there’s battles with drugs and drink; unsuitable romances, Bob Fosse, Studio 54, Andy Warhol , Michael Jackson, AIDS activism, and a Pet Shop BoysContinue reading “Film Review: Liza Minnelli-The Last Heiress of Hollywood”
Theatre Review: Sunset Boulevard- The Backstage Cut
Perth Theatre, 9th of May, 2026. Writer and director Morag Fullarton follows the winning formula she created with Casablanca: The Gin Joint Cut, with this, at once deconstruction of and homage to the classic Billy Wilder Hollywood satire. This isn’t the play’s first rodeo though- its first iteration was at A Play A Pie andContinue reading “Theatre Review: Sunset Boulevard- The Backstage Cut”
Album Review: Camille Camille – Enchanted Sea
Belgian singer-songwriter Camille Willemart has an effortlessly beautiful voice, perfect for emulating chanson -era material, a la Francois Hardy. But it’s what she does with her arrangements that so intrigue. They feel eerie and detached, even as they are quiet and lovely. There’s a sense of the calm before the storm to Camille Camille. ‘J’aiContinue reading “Album Review: Camille Camille – Enchanted Sea”
Overlooked Classic: Young Adult (2011)
“She wears denim wherever she goes/Says she’s gonna get some records by The Status Quo/Oh, yeah”… You’ve got to love a film which begins with Teenage Fanclub’s ‘The Concept’ blasting out on an old car tape deck. So begins Diablo Cody’s masterful Young Adult, starring Charlize Thereon as the particularly vituperative Mavis Gray, a (barely)Continue reading “Overlooked Classic: Young Adult (2011)”
Album Review: New German Cinema – Pain Will Polish Me
Nobody makes sad synth- pop quite like British bands. Jessica Weiss’s solo project New German Cinema mine the saddest parts of alt-pop from the last forty years to the present day, and spin it into literate, desolate loveliness. It’s haunting and crepuscular, best enjoyed on trains at nighttime. Weiss’ vocals, like Broadcast’s Trish Keenan andContinue reading “Album Review: New German Cinema – Pain Will Polish Me”
Overlooked Classic : Ben Golomstock- Stories From the Moon
The late composer, DJ and musician Ben Golomstock created an album with some of his friends, and it’s glorious: a melee of Miranda Sex Garden style enchanted rock and the more classical, cinematic side. Having joined Miranda Sex Garden early doors, this album Golomstock co-wrote with his collaboraters can’t help but lean into the gothicContinue reading “Overlooked Classic : Ben Golomstock- Stories From the Moon”
TV Review: Only Child
Writer and director Bryce Hart’s sitcom Only Child is fairly generic on paper: prodigal son returns to small town to reconnect with ageing parent. But it’s the minutiae and pathos that make this sitcom so binge worthy, and, ultimately, truly affecting. Greg McHugh portrays Richard Pritchard, a mid-level actor returning to the small northern townContinue reading “TV Review: Only Child”
From The Archive: Aye, Elvis
thetempohouse Review: Aye, Elvis February 27, 2018 • Spoilt Victorian Child Photo: Leslie Black Sometimes, all you need is a flying suit and a big dream. Or so it seems. Morna Young’s rather bonkers, but sweet, play for PPP, focuses on the eternal dreamer, Aberdonian woman Joan, whose devotion from childhood to Elvis Presley takes on aContinue reading “From The Archive: Aye, Elvis”
Archive Theatre Review: BATSHIT
close search menu BATSHIT More than just a provocative title ★★★★ theatre review (edinburgh) | Read in About 2 minutes Batshit Photo by Joel Devereux By Lorna Irvine Published 03 Aug 2024 With a typically taboo-baiting Edinburgh Fringe title, Leah Shelton’s one-woman show, directed by Ursula Martinez, could have been a clichéd romp through performance art tropes. But it’sContinue reading “Archive Theatre Review: BATSHIT”
Hit The North 