Review – Hit The North

TV Review: Falling Part 2

I’m prepared to contradict my initial impression. It’s been a couple of weeks since my last confession. ‘Falling’ is getting better since its first two episodes. Now, we’re getting into the ethics of the series, the meat, a heavy juxtaposition of forbidden love and devout faith, it’s a slow -burning, rather good series, actually. JasonContinue reading “TV Review: Falling Part 2”

TV Review: Tip Toe

“Leo, you’re queer in 2026. You’re a political act”. So says Melba, portrayed by Paul Rhys with fire and pathos in Russell T Davies’ new drama, set around the LGBTQ+ bars in Manchester’s famous Canal Street. He’s addressing friend Leo (Alan Cumming) a proprietor of Spit and Polish club, who can’t understand why he’s justContinue reading “TV Review: Tip Toe”

Theatre Review: Educating Rita, Dundee Rep Theatre

Dundee Rep Theatre, May 28th, 2026. In a week that saw a bitter row erupt within the BBC regarding men taking on women’s stories (four hundred female writers signed an open letter against Jeff Pope doing a dramatisation of Sarah Everard’s murder) questions still remain about the authorship of female experience. But there’s no suchContinue reading “Theatre Review: Educating Rita, Dundee Rep Theatre”

Howay,Daft Genius: Smoggie Queens Rules!

Series 1 of Smoggie Queens was brilliant: surreal, hilarious and touching. Focusing on a queer family in Middlesbrough, creator Phil Dunning, who also plays main character Dickie, crafted a loveable, silly bunch of misfits with recognisable quirks and – most importantly -a strong working -class sensibility. Series 1 set up the rivalry between Dickie andContinue reading “Howay,Daft Genius: Smoggie Queens Rules!”

TV Review: Only Child, Series 2

Greg McHugh, Gregor Fisher and Kevin Bishop. The second series of Only Child carried quite a weight of expectation: would it be as good as the first? Well, there were moments when it almost teetered into farce, notably during the driving lesson episode. Yet somehow, both Bryce Hart’s characterisation and the consistent cast keep itContinue reading “TV Review: Only Child, Series 2”

Film Review: Liza Minnelli-The Last Heiress of Hollywood

Lucie Caries’ film about Hollywood icon Liza Minnelli is candid and moving, precisely because her subject isn’t afraid to speak openly and honestly about her tragedies as well as triumphant moments.So there’s battles with drugs and drink; unsuitable romances, Bob Fosse, Studio 54, Andy Warhol , Michael Jackson, AIDS activism, and a Pet Shop BoysContinue reading “Film Review: Liza Minnelli-The Last Heiress of Hollywood”

Theatre Review: Sunset Boulevard- The Backstage Cut

Perth Theatre, 9th of May, 2026. Writer and director Morag Fullarton follows the winning formula she created with Casablanca: The Gin Joint Cut, with this, at once deconstruction of and homage to the classic Billy Wilder Hollywood satire. This isn’t the play’s first rodeo though- its first iteration was at A Play A Pie andContinue reading “Theatre Review: Sunset Boulevard- The Backstage Cut”

Album Review: Camille Camille – Enchanted Sea

Belgian singer-songwriter Camille Willemart has an effortlessly beautiful voice, perfect for emulating chanson -era material, a la Francois Hardy. But it’s what she does with her arrangements that so intrigue. They feel eerie and detached, even as they are quiet and lovely. There’s a sense of the calm before the storm to Camille Camille. ‘J’aiContinue reading “Album Review: Camille Camille – Enchanted Sea”

Overlooked Classic: Young Adult (2011)

“She wears denim wherever she goes/Says she’s gonna get some records by The Status Quo/Oh, yeah”… You’ve got to love a film which begins with Teenage Fanclub’s ‘The Concept’ blasting out on an old car tape deck. So begins Diablo Cody’s masterful Young Adult, starring Charlize Thereon as the particularly vituperative Mavis Gray, a (barely)Continue reading “Overlooked Classic: Young Adult (2011)”

Album Review: New German Cinema – Pain Will Polish Me

Nobody makes sad synth- pop quite like British bands. Jessica Weiss’s solo project New German Cinema mine the saddest parts of alt-pop from the last forty years to the present day, and spin it into literate, desolate loveliness. It’s haunting and crepuscular, best enjoyed on trains at nighttime. Weiss’ vocals, like Broadcast’s Trish Keenan andContinue reading “Album Review: New German Cinema – Pain Will Polish Me”