Album Review: Anna B Savage -in(FLUX)

This second album from Anna B Savage sees her embracing dualism. Her powerfully fluttering voice is a disarming tool, whether a whisper or scream. With carnal desire to the fore, as in ‘Pavlov’s Dog’, or ‘The Orange’, dealing in relationship closure, her songs run the gamut of emotions, marking her out as a rare artist.Continue reading “Album Review: Anna B Savage -in(FLUX)”

Lost In Music: Christeene- Midnite Fukk Train

Louisiana -raised Paul Soileau, aka Christeene, is normally best experienced live, as the live artist is wilfully provocative. She’ll krump on punters, pull things from out of her ass and push you into the void. So her music often gets sidelinedJ. Not so with her third album, Midnite Fukk Train. It stands on its ownContinue reading “Lost In Music: Christeene- Midnite Fukk Train”

Album Review: Superorganism – World Wide Pop

Perfect pop often tightropes precariously between euphoria and melancholy. So it is with Superorganism, the London- based, globally sourced pop act. Orono Noguchi’s sweet youthful vocals can be soulfully sad, joyful or snarky and cynical. It’s all anchored by quirky textures, samples and grooves. Like a Lego kit, the band thrives on building little empiresContinue reading “Album Review: Superorganism – World Wide Pop”

Album Review: Todo Muere

Be still, my goth heart. This compilation from Sacred Bones is the best of experimental, psych, drone and noise music. It’s a drop of the dark stuff. Boris, the Japanese noise legends do a slinky take on Jim Jarmusch’s Squrl from Only Lovers Left Alive, and like the titular vampires Adam and Eve, it’s faithfulContinue reading “Album Review: Todo Muere”

Album Review: Tess Parks- And Those Who Were Seen Dancing

This is a strange one. Tess Parks, the Canadian singer- songwriter who recently collaborated with Anton Newcombe from Brian Jonestown Massacre, is clearly steeped in retro influences, most notably the Paisley Underground and post- PU outfits like Mazzy Star, as well as the original bands who influenced them like The Seeds and West Coast PopContinue reading “Album Review: Tess Parks- And Those Who Were Seen Dancing”

Album Review: Erasers- Constant Connection

There’s definitely a trend at the moment for indie bands to emulate post-punk bands. I can hear traces of The Raincoats, Wire and Fatal Microbes in current popular bands like Dry Cleaning, Yard Act and Life. So it goes with the incredibly minimalist Erasers. The duo from Perth in Australia, comprised of Rebecca Orchard andContinue reading “Album Review: Erasers- Constant Connection”

Album Review: Horace Andy-Midnight Rocker

Adrian Sherwood is a legendary producer, and Horace Andy a legendary reggae singer, so it makes sense for them to team up again. But don’t call it a comeback, he’s never really been away. The shivery sweet vibrato is pushed to the fore here, with reworkings and new tracks alike. Opener This Must Be HellContinue reading “Album Review: Horace Andy-Midnight Rocker”

Album Review: Tindersticks- Past Imperfect-The Best of Tindersticks,92-21

In many ways, Tindersticks have long been a band out of time, oblivious to any prevailing trend. They emerged as Grunge and Britpop were tearing up student dancefloors, and DJs hadn’t quite yet attained superstar status, but club culture was ascending. Their beautifully- crafted melancholy, hugely orchestral and lush, belonged to an era of polishedContinue reading “Album Review: Tindersticks- Past Imperfect-The Best of Tindersticks,92-21”

Album Review: Bodega – Broken Equipment

NYC’s Bodega have massive expectations from their fanbase for this second studio album, the follow-up to impressive debut Endless Scroll. The band and film makers are an acerbic riot of humour, self-awareness and leftwing politics and musically fall somewhere between the sarcastic indie snarl of Pavement and the insistent house party groove of LCD Soundsystem.Continue reading “Album Review: Bodega – Broken Equipment”

Album Review: Cate Le Bon- Pompeii

Even at her sweetest, Welsh avant-pop artist Cate Le Bon is always wilfully opaque. This, her sixth album, is even murkier than before. There’s nothing as driving here as Mother’s Mother’s Magazines or even Sisters. What there is instead feels like a series of dizzy spells, which seems appropriate for our weird and frightening times.Continue reading “Album Review: Cate Le Bon- Pompeii”