Many bands soften their sound as they progress, chasing more commercial routes. Not so for the experimental collective, Miranda Sex Garden, who followed up their goth rock album Suspiria with this absolute barnstormer. Fairytales Of Slavery, released in 1994, was co-produced by Einsturzende Neubauten’s Alexander Hacke. The band had toured with them, and some ofContinue reading “Overlooked Classics: Miranda Sex Garden- Fairytales Of Slavery”
Category Archives: Classic albums
Overlooked Classics: Santogold
Artists who change their names mid-career often confuse me, but I can make exceptions. Santi White, whose eponymous debut solo album came out in 2008 under the name Santogold, is a bit of a musical genius, I think.She’s now better known as Santigold. What a debut it is. She’d been part of the millennial neo-Continue reading “Overlooked Classics: Santogold”
Overlooked Classics: Cranes- Wings Of Joy
The London band Cranes are often overlooked when people talk about early nineties indie bands. They’re something else altogether, often labelled Goth, industrial, neo – classical, shoegazing or dream-pop. The truth is, they are all of these things, and their own unique thing. Formed by siblings Alison and Jim Shaw, the band could grind, orContinue reading “Overlooked Classics: Cranes- Wings Of Joy”
Lost In Music: PJ Harvey – To Bring You My Love
Recently, Ezra Furman said in a podcast that her ideal bar would have PJ Harvey ‘s To Bring You My Love on the jukebox. That sounds like perfection to me. Harvey’s third album, released in February 1995, was a startling departure from her previous brittle albums, Dry and Rid Of Me . A more febrileContinue reading “Lost In Music: PJ Harvey – To Bring You My Love”
‘Modern Life Is Rubbish ‘ is 30!
“We’ve done it”, proclaimed Damon Albarn on one of his many Select magazine covers in 1991. “We’ve killed baggy!” He’d always been a little too drunk on his own chutzpah, that lad. Still, he had a point. While jeans just got bigger and flappier, and a nation of saucer -eyed kids were getting “mad ferContinue reading “‘Modern Life Is Rubbish ‘ is 30!”
Overlooked Classics: Ezra Furman- Day Of The Dog (2013)
What a doozie. Ezra Furman ‘s second studio album after her work with The Harpoons is absolutely sublime. Inspired as much by punk rock as gospel, doo-wop and rock ‘n’ roll, the song writing was kicked up several notches into something really special. Fusing her spiritual side with And Maybe God Is A Train, withContinue reading “Overlooked Classics: Ezra Furman- Day Of The Dog (2013)”
Just Step Sideways: 8 Eyed Spy
Lydia Lunch was never one to stick to a signature sound, so it was hardly surprising to anyone when Teenage Jesus and The Jerks split in the late seventies, and she formed with future composer Pat Irwin and future Nick Cave collaborator Jim Sclavunos, among others, the brilliant 8 Eyed Spy, a swampy, jazzy punkyContinue reading “Just Step Sideways: 8 Eyed Spy”
Lost In Music: The Fall- Spoilt Victorian Child
The riff is unmistakably Brix, the snarl typically Mark. One of The Fall’s mid-period gems, Spoilt Victorian Child, taken from fan favourite This Nation’s Saving Grace from 1985 references colonialism, the Cottingley Fairies hoax, the kids’ book The Tiger Who Came to Tea, and typically entitled behaviour of the rich. I’m still not sure ifContinue reading “Lost In Music: The Fall- Spoilt Victorian Child”
Why ‘Surfer Rosa’ is still the tits!
Never mind Nevermind: for me, the albums that signified that the 90s were going to be musically exciting were by Sonic Youth, My Bloody Valentine and Pixies…amongst others. Everyone raves about Doolittle and it’s perfectly fine, but for me, Surfer Rosa is still perfection. Originally, it was to be titled Gigantic after the glorious songContinue reading “Why ‘Surfer Rosa’ is still the tits!”
Aladdin Sane at 50
If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”