Lost In Music: PJ Harvey – To Bring You My Love

Recently, Ezra Furman said in a podcast that her ideal bar would have PJ Harvey ‘s To Bring You My Love on the jukebox. That sounds like perfection to me. Harvey’s third album, released in February 1995, was a startling departure from her previous brittle albums, Dry and Rid Of Me . A more febrileContinue reading “Lost In Music: PJ Harvey – To Bring You My Love”

The Future’s Here Today: McKinley Dixon

We’ve got Little Simz and Loyle Carner, America has Kendrick Lamar and Frank Ocean, and now, future superstar, McKinley Dixon. Fusing jazz, gospel and hip hop , the young rapper has eclectic tastes. He was born in 1995 in Richmond, Virginia, and is now based in Chicago. Eloquent, humble and funny, his music addresses theContinue reading “The Future’s Here Today: McKinley Dixon”

Album Review: Alison Goldfrapp- The Love Invention

Alison Goldfrapp as disco diva? The new Kylie, maybe? She’s always had that side to her, the head-rush of the dancefloor, glitter ball, spike heels and the 5 am walk of shame. But on her first solo studio album without Goldfrapp bandmate Will Gregory, she fully indulges her inner Donna Summer. Co- created with RichardContinue reading “Album Review: Alison Goldfrapp- The Love Invention”

‘Modern Life Is Rubbish ‘ is 30!

“We’ve done it”, proclaimed Damon Albarn on one of his many Select magazine covers in 1991. “We’ve killed baggy!” He’d always been a little too drunk on his own chutzpah, that lad. Still, he had a point. While jeans just got bigger and flappier, and a nation of saucer -eyed kids were getting “mad ferContinue reading “‘Modern Life Is Rubbish ‘ is 30!”

Overlooked Classics: Ezra Furman- Day Of The Dog (2013)

What a doozie. Ezra Furman ‘s second studio album after her work with The Harpoons is absolutely sublime. Inspired as much by punk rock as gospel, doo-wop and rock ‘n’ roll, the song writing was kicked up several notches into something really special. Fusing her spiritual side with And Maybe God Is A Train, withContinue reading “Overlooked Classics: Ezra Furman- Day Of The Dog (2013)”

Album Review: Squrl- Silver Haze

There is mood music, then there’s mood music. Squrl, who are comprised of legendary film director and musician Jim Jarmusch and mega film producer and musician Carter Logan, plus some special guest collaborators, have made an exquisite, shimmering noise here in their first full-length studio album. It’s full of their trademark churning, psychedelic rock swirls,Continue reading “Album Review: Squrl- Silver Haze”

Shonen Knife are 40!

Once described by uber-fan Kurt Cobain as “pop, pop, pop music” , the legendary Osaka trio Shonen Knife are celebrating forty years in the business. Naoko Yamano, sister Atsuko Yamano and Risa Kawano are the current line-up, with the most recent album Our Best Place garnering huge acclaim. Often described as “the Osaka Ramones”, theContinue reading “Shonen Knife are 40!”

Why ‘Surfer Rosa’ is still the tits!

Never mind Nevermind: for me, the albums that signified that the 90s were going to be musically exciting were by Sonic Youth, My Bloody Valentine and Pixies…amongst others. Everyone raves about Doolittle and it’s perfectly fine, but for me, Surfer Rosa is still perfection. Originally, it was to be titled Gigantic after the glorious songContinue reading “Why ‘Surfer Rosa’ is still the tits!”

Album Review: Katie Gately- Fawn/Brute

The third album from American experimental artist Katie Gately has an illustration of two characters on the cover reminiscent of a Harlequinade. This seems apposite for a record that’s full of strange characterisation. Each title is one adjective only. Again, fair enough, as there are whispers, whoops and dark, nefarious threats lurking in corners. ForContinue reading “Album Review: Katie Gately- Fawn/Brute”

Aladdin Sane at 50

If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”