Why ‘Surfer Rosa’ is still the tits!

Never mind Nevermind: for me, the albums that signified that the 90s were going to be musically exciting were by Sonic Youth, My Bloody Valentine and Pixies…amongst others. Everyone raves about Doolittle and it’s perfectly fine, but for me, Surfer Rosa is still perfection. Originally, it was to be titled Gigantic after the glorious songContinue reading “Why ‘Surfer Rosa’ is still the tits!”

Album Review: Katie Gately- Fawn/Brute

The third album from American experimental artist Katie Gately has an illustration of two characters on the cover reminiscent of a Harlequinade. This seems apposite for a record that’s full of strange characterisation. Each title is one adjective only. Again, fair enough, as there are whispers, whoops and dark, nefarious threats lurking in corners. ForContinue reading “Album Review: Katie Gately- Fawn/Brute”

Aladdin Sane at 50

If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”

Album Review: Mandy, Indiana – I’ve Seen A Way

The quartet from Manchester, founded by Valentine Caulfield and Scott Fair, now joined by Simon Catling and Alex MacDougall, have a hell of a blistering debut here. It’s experimental music which feels like being driven blindfolded to unknown territory. ‘ Pinking Shears’ is brittle and fuzzy, and there’s minimalist industrial shades to ‘Injury Detail’. ThisContinue reading “Album Review: Mandy, Indiana – I’ve Seen A Way”

Overlooked Classics: Nick Cave and the Bad Seeds- Your Funeral, My Trial

The fourth album from Nick and the dapper chaps, released in 1986, remains a little bit sidelined, as far as I’m concerned. It’s Cave ‘s Grand Guignol, one of his most macabre and sexually charged… And that’s going some for someone who is often criticised for the violence of his lyrics. ‘The Carny’ is aContinue reading “Overlooked Classics: Nick Cave and the Bad Seeds- Your Funeral, My Trial”

Lost In Music: A Certain Ratio- 1982

Already one of the finest albums of tthe year, A Certain Ratio ‘s 1982 is a series of neon squiggly graffiti lines – not least because it references Jean Michel Basquiat and Andy Warhol in ‘Samo’ , an old school funky jam named after Basquiat’s graffiti tag. But that very specific nod to the 80sContinue reading “Lost In Music: A Certain Ratio- 1982”

Just Step Sideways: Richard Dawson- The Hermit

He’s possibly the closest thing we’ve got to a modern-day William Blake, with his lyrical, wry and political musings on our troubled isle.. Now, the genius that is Richard Dawson, officially releases the forty one minute video for The Hermit. Directed by film maker James Hankins and filmed in South West England in the summerContinue reading “Just Step Sideways: Richard Dawson- The Hermit”

The Future’s Here Today: Debby Friday

Born in Nigeria, raised in Montreal and now based in Toronto, Debby Friday releases her debut studio album Good Luck tomorrow. She’s hugely gifted, her cocktail of genres reflecting such a peripatetic upbringing.The critics have been universal in praising her previous work like debut EP, Bitchpunk. You can hear soul, punk and crunchy electronica influencesContinue reading “The Future’s Here Today: Debby Friday”

Album Review: Anna Secret Poet- Shoutin’ Into The Void

“You can learn a lot from dead things “, Anna Secret Poet sings in ‘Dead Things’, “including how to live”. This is a very Anna line: seemingly throwaway, but really profound. The canny Scots singer-songwriter, drag performer and weaver of pithy tales returns with an album that meditates on the darkest corners of our psyche,Continue reading “Album Review: Anna Secret Poet- Shoutin’ Into The Void”

Album Review: Lana Del Rabies- Strega Beata

A stately, cinematic slab of music, Lana Del Rabies ‘ new album, her third, lies somewhere between the early brutality of Swans and the eerie, gothic neo-classical experimentation of Dead Can Dance. It’s absolutely heady, erotic and hypnotic. Sometimes, it’s a thunderstorm, sometimes a soft caress. Tracks like ‘Mother ‘ and ‘Master’ feel like miniContinue reading “Album Review: Lana Del Rabies- Strega Beata”