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THAT DIFFICULT THIRD ALBUM: Kate Bush – Never For Ever

Yeah,yeah, we all love Hounds Of Love and acknowledge that it’s a game changer, but I am rather partial to Kate Bush’s third album , Never For Ever. Released on September 7th in 1980, it is wilfully eccentric (Babooshka, The Wedding List, Violin) febrile and beautiful. Even the cover points to the esoteric strangeness within:Continue reading “THAT DIFFICULT THIRD ALBUM: Kate Bush – Never For Ever”

Edinburgh Festival Preview – Taiwan Season at Dance Base

Dance Base has always had an international remit, and the Festival for 2022 is no exception. The Taiwan Season features world class performance and incredible visuals. Here are three highlights to catch this year. Fusing classical ballet with martial arts and modern influences, Po-Ching Tsai’s Floating Flowers takes Buddhist ceremony and ritual as its centralContinue reading “Edinburgh Festival Preview – Taiwan Season at Dance Base”

Aubrey Beardsley and Oscar Wilde

When Oscar Wilde wrote his play Salome in 1894, there was only one artist suitable in his mind, worthy of depicting both the ghoulishness and dark eroticism of his script – Aubrey Beardsley. The pair shared a similar aesthetic sensibility and had no time for the moralising hypocrisy of the times. It seems cancel cultureContinue reading “Aubrey Beardsley and Oscar Wilde”

Edinburgh Festival Preview: Americana- A Murder Ballad

This show, premiering at this year’s Edinburgh Festival, couldn’t have captured the zeitgeist more, as headlines about yet more mass shootings and the new firearms law in New York remain fresh in our minds . Written by leading Scottish playwright Morna Young and featuring music composed by Davey Anderson, the production from Pepperdine Scotland isContinue reading “Edinburgh Festival Preview: Americana- A Murder Ballad”

Edinburgh Festival Preview: Shrimp Dance

Paul Michael Henry makes the kind of work that requires audiences to lean in. It’s not safe, bland or reassuring; rather, it’s powerful, intensely rendered and beautiful, the kind of work that resonates and stains your vital organs. His performance for the Edinburgh Festival, Shrimp Dance, is no less a disquieting piece. At once aContinue reading “Edinburgh Festival Preview: Shrimp Dance”

WHEN POP GOES EXPERIMENTAL

Something interesting is currently happening within pop- it’s getting experimental again. Surely it’s no coincidence that Kate Bush, the Queen of reinvention, should be rediscovered by twentysomethings this year, thanks to Running Up That Hill featuring in Stranger Things. The spirit of the eighties which meant more esoteric artists like Bush, Prince and The SugarContinue reading “WHEN POP GOES EXPERIMENTAL”

Album Review: Superorganism – World Wide Pop

Perfect pop often tightropes precariously between euphoria and melancholy. So it is with Superorganism, the London- based, globally sourced pop act. Orono Noguchi’s sweet youthful vocals can be soulfully sad, joyful or snarky and cynical. It’s all anchored by quirky textures, samples and grooves. Like a Lego kit, the band thrives on building little empiresContinue reading “Album Review: Superorganism – World Wide Pop”

The Ghost of The GTOs

Strange, isn’t it, that there are no male equivalents in the lexicon for the word ‘groupie’, even now? Perhaps groupies aren’t a thing anymore, or simply a more covert concern. Maybe it’s more likely there are more female artists making headway now- and about time,too. The GTOs fascinate me, simply because they’re a time capsuleContinue reading “The Ghost of The GTOs”

Overlooked Classics: Babes In Toyland- Spanking Machine

Everybody cites Hole as fine purveyors of pure feminine rage, and rightly so, but for me, Babes In Toyland did it better, and with more eloquent ferocity. I first heard Dust Cake Boy where else but on John Peel’s peerless late night radio show on Radio 1. His son Tom Ravenscroft recently spoke on 6MusicContinue reading “Overlooked Classics: Babes In Toyland- Spanking Machine”

Album Review: Speedy Wunderground Vol 5

The legendary label is nearly a decade young, believe it or not. Dan Carey, Alexis Smith and Pierre Hall’s baby just keeps going from strength to strength, as evinced by their latest compilation. From Lazarus Kane’s opener Narcissus, a kind of hyper- caffeinated Talking Heads meets Hot Chip groove, through to The Lounge Society’s broodyContinue reading “Album Review: Speedy Wunderground Vol 5”