Overlooked Classics: Captain Beefheart And His Magic Band-Safe As Milk

Running the gamut of genres- from Delta blues to experimental psych- the magnificent debut album from Captain Beefheart and His Magic Band is all about the inimitable singer songwriter and musical fruitloop, aka Don Van Vliet, finding his feet after an attempt at popularity with the swampy hit, the cover of Bo Diddley’s Diddy WahContinue reading “Overlooked Classics: Captain Beefheart And His Magic Band-Safe As Milk”

Album Review: Xiaowang-Kachakacha

What an exciting debut from this young Bejing band. Xiaowang make music that’s as unexpected as it’s exhilarating. They’re described as “kawaiicore” and that’s a perfect term, as their music is often pitched between the fun and the terrifying. Steal vacillates between deadpan choppy postpunk and death metal roars, whereas Duck Song is slicing, staccatoContinue reading “Album Review: Xiaowang-Kachakacha”

Album Review: Ora Cogan- Formless

The Canadian artist’s eighth album is a real labour of love, with contributions from Luz Elena Mendoza of Y La Bamba on the mellifluous, twisty duet’Ways Of Losing’ and LANKUM’s Cormac Mac Diarmada playing violin and viola on ‘Feel Life’. ‘Dyed ‘ feels like a folky jazz incantation with a psychedelic undertow and her newContinue reading “Album Review: Ora Cogan- Formless”

Overlooked Classics: Julian Cope- World Shut Your Mouth

This is the album, not the song. That can be found, of course, on Saint Julian. World Shut Your Mouth marked Julian Cole’s transition from Teardrop Explodes pin -up,to eccentric solo artist. And there are a couple of would -be TE tracks on here (Pussyface’ and ‘Metranil Vavin’) but in the main, it’s Cope flyingContinue reading “Overlooked Classics: Julian Cope- World Shut Your Mouth”

Album Review: Adult Jazz- So Sorry So Slow

This album is heady, intoxicating and heavy. It takes a while to settle into certain rhythms, before turning, at times almost imperceptibly, into different genres, moods and textures. Once you allow yourself to let it just embrace you though, it pays dividends. Post-rock, fused with avant pop, it’s elusive but gorgeous. With Harry Burgess’ sweet,Continue reading “Album Review: Adult Jazz- So Sorry So Slow”

Dance Review: Eidos/Rules To Live By

This wonderful double bill by dance artist Suzi Cunningham couldn’t be more perfect for this blog. Eidos was created by Cunningham in tribute to both the late,great Mark E Smith of The Fall, and Cunningham ‘s own grandmother, who like Cunningham herself exuded glamour and independence. Cunningham is like a shapeshifting sorceress. She is, variously,Continue reading “Dance Review: Eidos/Rules To Live By”

Overlooked Classics: Sparks-Propaganda

Dismissed by American rock critic Robert Christgau as being made by “twerps’ (his slagging off is usually a good sign- just ask Iggy Pop) the fourth studio album saw Sparks expanding upon their trademark baroque pop sound, forever torn between arch and urbane (Something For The Girl With Everything) and sincere (the beautiful Never TurnContinue reading “Overlooked Classics: Sparks-Propaganda”

Overlooked Classics: Cibo Matto-Viva!La Woman

Cibo Matto never got their dues, I think. The Japanese -American duo, who recently reformed, made one of my favourite nineties albums with the debut, Viva! La Woman.. I think humour is often dismissed in music, and there is a lot of humour here, but it’s simply brilliant avant – pop. For a pair obsessedContinue reading “Overlooked Classics: Cibo Matto-Viva!La Woman”

Anatomy Of A Fall Song: I Am Damo Suzuki

We’ve lost some wonderful people lately, and far too young: Benjamin Zephaniah, Olly Emanuel and Sinead O’Connor, to name but a few. Damo Suzuki ,while not as young, nevertheless leaves a sad space in our lives. The indefatigable solo artist and former Can frontman toured and recorded well into his senior years. He passed awayContinue reading “Anatomy Of A Fall Song: I Am Damo Suzuki”

The Space Age Genius of Tomita

Before Air or Aphec Twin, there was Isao Tomita. Born in Tokyo, Japan in the early 30s, he’s often overlooked for similar sound pioneers. While Kraftwerk and The Radiophonic Workshop were rightly praised for their forward-thinking approach to electronic music in Europe, Tomita was quietly, brilliantly, doing his own thing in Japan. Sadly, his passingContinue reading “The Space Age Genius of Tomita”