The third album from American experimental artist Katie Gately has an illustration of two characters on the cover reminiscent of a Harlequinade. This seems apposite for a record that’s full of strange characterisation. Each title is one adjective only. Again, fair enough, as there are whispers, whoops and dark, nefarious threats lurking in corners. ForContinue reading “Album Review: Katie Gately- Fawn/Brute”
Author Archives: loreleiirvine
Just Step Sideways: Conspirators of Pleasure
Jan Svankmajer had always dabbled in the perverse in his short films, but his third feature film, Conspirators of Pleasure from 1996 goes full tilt. It’s hilarious, pointed and downright unnerving, even by his own surreal standards. All of the main preoccupations are present and correct here: bizarre puppetry; food, ritual and the act ofContinue reading “Just Step Sideways: Conspirators of Pleasure”
Aladdin Sane at 50
If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”
New Release: PJ Harvey- A Child’s Question, August
Ahead of her forthcoming tenth album, PJ Harvey releases this, her elegiac and beautiful new single, A Child’s Question, August. Working with Flood and John Parish, this bodes well for the album. It’s stunning, with a churning lyricism. The video was created by renowned photographer Steve Gullick, and actor Ben Whishaw provides backing vocals. ItContinue reading “New Release: PJ Harvey- A Child’s Question, August”
Overlooked Classics: Stage Beauty
Richard Eyre ”s 2004 film, with a wonderful screenplay by Jeffrey Hatcher, is a gem which still never seems to get the acclaim it deserves. I’ve never been quite sure why. The 17th century has often been mined for parody (think Blackadder, Monty Python etc) but this film, while often bawdy and hilarious, is exploratoryContinue reading “Overlooked Classics: Stage Beauty”
Kim’s Karaoke
The late eighties was ripe for parody. Pompous, crass, sexist pop was seemingly ubiquitous. So, Kim Gordon from Sonic Youth took the leery Robert Palmer tune, Addicted To Love, and kicked it in its groin. Ciccone Youth’s The Whitey Album was both knowing piss -take and affectionate homage. Their Sonic Youth offshoot was never goingContinue reading “Kim’s Karaoke”
Praise Be to Vod!
As if Sam Bain and Jesse Armstrong couldn’t have created one of the best sitcom characters ever in Peep Show ‘s Super Hans, they surely outdid themselves with Violet ‘Vod’ Nordstrom. Fresh Meat, which piggybacked on that show’s deserved success, had one of the funniest, sexiest and most complex characters ever. Surly, promiscuous, stealing fromContinue reading “Praise Be to Vod!”
Album Review: Mandy, Indiana – I’ve Seen A Way
The quartet from Manchester, founded by Valentine Caulfield and Scott Fair, now joined by Simon Catling and Alex MacDougall, have a hell of a blistering debut here. It’s experimental music which feels like being driven blindfolded to unknown territory. ‘ Pinking Shears’ is brittle and fuzzy, and there’s minimalist industrial shades to ‘Injury Detail’. ThisContinue reading “Album Review: Mandy, Indiana – I’ve Seen A Way”
Overlooked Classics: Nick Cave and the Bad Seeds- Your Funeral, My Trial
The fourth album from Nick and the dapper chaps, released in 1986, remains a little bit sidelined, as far as I’m concerned. It’s Cave ‘s Grand Guignol, one of his most macabre and sexually charged… And that’s going some for someone who is often criticised for the violence of his lyrics. ‘The Carny’ is aContinue reading “Overlooked Classics: Nick Cave and the Bad Seeds- Your Funeral, My Trial”
Lost In Music: A Certain Ratio- 1982
Already one of the finest albums of tthe year, A Certain Ratio ‘s 1982 is a series of neon squiggly graffiti lines – not least because it references Jean Michel Basquiat and Andy Warhol in ‘Samo’ , an old school funky jam named after Basquiat’s graffiti tag. But that very specific nod to the 80sContinue reading “Lost In Music: A Certain Ratio- 1982”
Hit The North 