Film Review: England Is Mine (2017)

Jack Lowden as Morrissey. Most music biopics rise and fall on the strength of their leads capturing the essence of a performer, not a simple impersonation or caricature, which would be so easy to fall into. But then, this film’s focus is on the early days of a man who eschewed empty cliches, forever breakingContinue reading “Film Review: England Is Mine (2017)”

Album Review: Model/Actriz- Pirouette

This simply has to be one of the best albums of the year. A mash up of so many exciting elements: the dancefloor burn of mid-noughties American artists like LCD Soundsystem; wild experimentation of no wave and sheer filth of glam at its sleaziest. It’s night time music for seduction or moving under neon lights.Continue reading “Album Review: Model/Actriz- Pirouette”

Album Review: Mamalarkey- Hex Key

It seems that wonky pop, which emerged in the mid-noughties, is alive and thriving after all. Atlanta band Mamalarkey deal in this often underrated genre. It’s all of the unexpected sonic U -turns that make this new album such a delight. From the euphoric folk bounce of ‘#1 Best Of All Time’ to the sunny,Continue reading “Album Review: Mamalarkey- Hex Key”

Film Review: Pauline Black: A Two Tone Story

What a brilliant, beautiful and triumphant documentary on The Selecter frontwoman Pauline Black. Directed by Jane Mingay, it’s as unflinching, witty and eloquent as Black herself. It’s not simply a music documentary, it’s also a time capsule of the divided late seventies in Britain, a fascinating insight into the formation of the Thatcher-baiting Black/white movementContinue reading “Film Review: Pauline Black: A Two Tone Story”

Album Review: MIEN- MIIEN

Austin band MIEN invoke the psychedelic sixties with this new album, which feels more like a homage than pushing the genre forward. It’s not clear why it exists really, but what it does, it does well. There’s a slice of Silver Apples in opener ‘Evil People’ and ‘Mirror’, but it’s more interesting when it goesContinue reading “Album Review: MIEN- MIIEN”

Album Review: Bowie Vienna ’78

Oh, dear. This live album from David Bowie’s Isolar tour from 1978 suffers from all the problems bootlegs- official or not- often have, namely, dodgy sound, audience chatter and a general sense of immense disappointment at the quality. There’s even a sense of Bowie and the band going through the motions- witness a knackered soundingContinue reading “Album Review: Bowie Vienna ’78”

Music As Vitamin D

When the morning sun hurts too much after bouts of menopausal insomnia, and it’s hard to crawl out of bed, there’s one tune that will give me that much-needed shot of vitamin D. It’s got a bounce like Tigger, but scratches with its sharp talons. It’s from the era of Britpop but was deemed “shoegazing”.Continue reading “Music As Vitamin D”

Film Review: A Complete Unknown

Another year, another music biopic about a problematic genius. James Mangold has of course got previous with Walk The Line. A Complete Unknown isn’t much of a departure from the Johnny Cash film, as it’s also a good character study. Here, the truculent rebel is one Bob Dylan, right at the start of his career.Continue reading “Film Review: A Complete Unknown”

Album Review: LA Witch- DOGGOD

Los Angeles trio LA Witch have been casting sonic spells since their debut album, which came out eight years ago.. Since then, their reputation as a formidable live act has endured. Their doomy, punkish music is as tender as a bruise. This “don’t mess” badass swagger sees them frequently getting a comparison to fellow SuicideContinue reading “Album Review: LA Witch- DOGGOD”

Film Review: The Public Image Is Rotten (2017)

Director Tarrbert Fiiller’s documentary on Public Image Ltd. is downbeat, insightful and strangely touching, poking at the open wounds involved when working alongside the inimitable John Lydon. With rare access to interviews with the imp himself, plus ex-band members like Keith Levene, Allan Dias and Martin Atkins, it’s more intimate and candid than your average,Continue reading “Film Review: The Public Image Is Rotten (2017)”