Before Wet Leg, Dry Cleaning and sundry damp post-punk/ new wave- inspired bands so beloved by Lammo etc, there was a band formed by a bunch of Ohio misfits, The Waitresses. Effortlessly cool, the band fused skronky saxophone, a la No Wave band James Chance and The Contortions, with pop sensibilities. When Chris Butler, whoContinue reading “Always Tip The Waitresses”
Tag Archives: Lorna Irvine
Xmas Greetin’s
In Scotland, ‘greeting’ means crying… Nonetheless, we wish you all a happy, peaceful and prosperous season and a great 2022. love, Hit The North xx
Oh! Brother Podcast
You have probably gathered by now (especially if you read our previous blog The Tempo House) that we’re fans of The (Mighty) Fall. So I thought it was time to write about the podcast which references all things concerning The Fall, Oh! Brother. Hosted by the band’s classic rhythm section, Paul and Steve Hanley, theyContinue reading “Oh! Brother Podcast”
Overlooked Classics: That Dog (1993)
That Dog’s debut eponymous album is just the epitome of perfection to me. The combination of indie pop and strange classical and jazz elements is still quite unlike anything I’ve heard. The band are perhaps like a less brutal Miranda Sex Garden, or softer Slits or Raincoats. Songs- and harmonies- don’t quite go where theyContinue reading “Overlooked Classics: That Dog (1993)”
Frankenweenie(1984)
In many ways, the original short film version of Frankenweenie is a sharp satire on horror cinema and its tropes: after all, Shelley Duvall plays the Mom, which foreshadows the macabre undertow (isn’t she the archetypal horror film Mom as resilient Wendy Torrance in The Shining?) Written by Lenny Ripps and directed by a youngContinue reading “Frankenweenie(1984)”
Album Review: Sanctuary
A mighty collaboration between the Colombian composer Jose Parody and Grayson Sanders and Leviticus Penner, Sanctuary Vol. 1 and 2 is steeped in the kind of quietude that is neither comforting nor kind, but still incredibly beautiful. Truth is meditative, sparse and features voices that weave in and out drones. Smoke In The Halls isContinue reading “Album Review: Sanctuary”
Siouxsie and the Banshees’ Once Upon A Time Is 40
Siouxsie and The Banshees emerged fully formed from the punk scene- Siouxsie Sioux and Steve Severin were part of the Bromley Contingent who followed the Sex Pistols- and gained notoriety for a spiky, atonal and extended version of The Lord’s Prayer during the spit, vomit and snot heyday. However, by the time of this, theContinue reading “Siouxsie and the Banshees’ Once Upon A Time Is 40”
A John Waters Christmas
Good taste? Bad taste? It’s all so subjective, dahhling. One man who has no such quibbles in these matters is peerless movie director John Waters. As befits the man dubbed The Pope of Trash by William S Burroughs, Waters’ seasonal picks are as kitsch and hilarious as many of his films. Not for him, theContinue reading “A John Waters Christmas”
Record Label Of The Month: Upset The Rhythm
Based in London, indie promoter and record label Upset The Rhythm is the epitome of punk. Formed in 2003 as a promoter, they officially launched as a label in 2005. Featuring bands like Deerhoof, Trash Kit, Terry, Sauna Youth, Rattle, Kaputt, and most recent signing, Japanese punk band NicFit, they specialise in lo-fi, post-punk andContinue reading “Record Label Of The Month: Upset The Rhythm”
Music News: Boris Have Signed To Sacred Bones
Dream team! Legendary Japanese doom rockers Boris have just signed to the brilliant label Sacred Bones. First single Drowning By Numbers is out now and it’s a brilliant, psychedelic layered dirge. They’re the only acceptable Boris to listen to these days. #satire A new album follows in 2022.