Corinne Bailey Rae’s Musical Reinvention

Nobody saw this coming. The fourth album, Black Rainbows by Corinne Bailey Rae, is a fusion of furious riot grrrl inspired fury, Afrojazz and deep soul, a huge U turn from the singer-songwriter who once made nice, inoffensive Radio 2 jazz pop like Put Your Records On and Like A Star. . Erasure is furious,Continue reading “Corinne Bailey Rae’s Musical Reinvention”

Nadine Shah Returns!

The ever wonderful Nadine Shah is back, with a typically provocative song title. Topless Mother is out now, and she’s doing what she does best – music that’s both brilliant indie pop with a fierce bite, and a bit of soul. She’s always one to play with genre. Never one to rest on her laurelsContinue reading “Nadine Shah Returns!”

Preview: Women In Revolt! @ Tate Britain

This is an enormously exciting bit of news . Tate Britain has just announced a new exhibition, starting on November 8th, showing the seismic shift in female-led art, politics and culture in the UK. Because it’s not just about Thatcher, The Clash and The Sex Pistols. WOMEN IN REVOLT!ART AND ACTIVISM IN THE UK 1970-1990Continue reading “Preview: Women In Revolt! @ Tate Britain”

Put Blood In The Music: Sonic Youth and John Zorn

This film, directed by Charles Atlas for The South Bank Show in 1989, was what made me fall in love with SY, and admire Zorn. Using a fanzine type approach to his montage – talking heads floating in front of New York street scenes, it’s a typically playful approach from Atlas (more of whom, later).Continue reading “Put Blood In The Music: Sonic Youth and John Zorn”

Lost In Music: Siouxsie and the Banshees- Juju

I don’t think I’ve really written much about classic Siouxsie and the Banshees albums before, so thought it was time to rectify that. Juju is one of my favourites from my teens. I came to It late, probably the late eighties, as it had already been released in 1981, and I was too young toContinue reading “Lost In Music: Siouxsie and the Banshees- Juju”

Album Review: The Drums- Jonny

One of the most surprising albums of the year, Jonny by The Drums, is striking for many reasons. The album cover shows singer and main member Jonny Pierce crouched down, naked and seemingly praying in his parents’ house. The album is similarly raw, intimate and honest. Gone is the easy -breeziness of previous work, whichContinue reading “Album Review: The Drums- Jonny”

New Release: Gazelle Twin- Black Dog

Just in time for Halloween, or Samhain if you’d rather, Gazelle Twin is back, with a new album titled Black Dog. As Elizabeth Bernholz explains, it’s inspired by nightmares going back to childhood trauma, and essentially,”It’s all about confronting fear”. The title track is out now, with Bernholz’ trademark pitchshifted growls and whispers set againstContinue reading “New Release: Gazelle Twin- Black Dog”

Overlooked Classics: How Do You Want Me?

When is a sitcom not a sitcom? When it’s a comedy drama. How Do You Want Me? (1998-9) written by Simon Nye, is a sad, droll slice of life programme that seems to have been forgotten about, in spite of the wonderful cast and writing. Dylan Moran is Ian, an Irish comic who’s left LondonContinue reading “Overlooked Classics: How Do You Want Me?”

The Future’s Here Today: Miso Extra

Not just a witty pseudonym, Miso Extra is a brilliant artist who sings as sweetly as she raps. With bilingual lyrics which reflect her dual heritage and thought processes, she’s part of the new wave of British hip hop that draws from eclectic sources. Creating her own “Misoverse”, the young eccentric wears vintage Japanese footballContinue reading “The Future’s Here Today: Miso Extra”

Album Review: Mary Lattimore- Goodbye,Hotel Arkada

Don’t let the title fool you – the fifth studio album from LA harpist Mary Lattimore isn’t a hippy-dippy concept album. Rather, it invites adjectives like “ethereal” and “otherworldly” . Very much a collaborative project, Lattimore has again created music that exists in liminal spaces, dense but delicate, and powerful even when calm. The blurringContinue reading “Album Review: Mary Lattimore- Goodbye,Hotel Arkada”