I have always had a thing for theatrical masks and Theatre Royal in Glasgow always has beautiful costumes on display. I took these photos of masks from their collection in 2017.
Dance Base has always had an international remit, and the Festival for 2022 is no exception. The Taiwan Season features world class performance and incredible visuals. Here are three highlights to catch this year. Fusing classical ballet with martial arts and modern influences, Po-Ching Tsai’s Floating Flowers takes Buddhist ceremony and ritual as its centralContinue reading “Edinburgh Festival Preview – Taiwan Season at Dance Base”
This show, premiering at this year’s Edinburgh Festival, couldn’t have captured the zeitgeist more, as headlines about yet more mass shootings and the new firearms law in New York remain fresh in our minds . Written by leading Scottish playwright Morna Young and featuring music composed by Davey Anderson, the production from Pepperdine Scotland isContinue reading “Edinburgh Festival Preview: Americana- A Murder Ballad”
Oceanallover’s artistic director Alex Rigg seems allergic to cliché. His site-specific theatre work- whether in performance, costume, music or text- is never about empty sensationalism; he reacts to, and transforms, the spaces around him. The work is unique, often something otherworldly and satirical. So it is with this collection of his short stories., gorgeously illustratedContinue reading “Book Review: Alex Rigg- Mouth to Mouth: Short Stories 1997-2001”
A powerful, challenging, provocative and funny new play, Gazing, looking at female representation and autonomy, has been inspired by Kim Ayres’ photography exhibition ‘Women over Fifty’. It starts on Saturday at Dumfries and Galloway’s DG Arts Festival. Ahead of its run this weekend, Lorna Irvine caught up with the creator, playwright Carolyn Yates, and castContinue reading “Interview: Carolyn Yates and Linda Duncan McLaughlin Talk ‘Gazing’”
Go On Linda McLean’s plays are all about humanity in all its messy, smudgy forms, so it’s a fine companion piece to Beckett. Jane (Maureen Beattie) is training an Artificial Intelligence prototype, Jayne. One appears on a screen on a glowing cube, glugging down red wine in a suburban kitchen. The other is in personContinue reading “Theatre Review: Krapp’s Last Tape/Go On, Tron Theatre”