Theatre Review: Sunset Boulevard- The Backstage Cut

Perth Theatre, 9th of May, 2026. Writer and director Morag Fullarton follows the winning formula she created with Casablanca: The Gin Joint Cut, with this, at once deconstruction of and homage to the classic Billy Wilder Hollywood satire. This isn’t the play’s first rodeo though- its first iteration was at A Play A Pie andContinue reading “Theatre Review: Sunset Boulevard- The Backstage Cut”

Theatre In Pop Is Back

Back in the seventies, decent pop leaned into the avant-garde, with artists transcending mere gigs. This was pop as theatre. Bowie, Kate Bush and even prog rock charlatans like Emerson, Lake and Palmer and Genesis could be found using stage craft, props and exquisite scenography to boost their strange and otherworldly music. This elevated itContinue reading “Theatre In Pop Is Back”

From The Archive: Aye, Elvis

thetempohouse Review: Aye, Elvis February 27, 2018 • Spoilt Victorian Child Photo: Leslie Black Sometimes, all you need is a flying suit and a big dream. Or so it seems. Morna Young’s rather bonkers, but sweet, play for PPP, focuses on the eternal dreamer, Aberdonian woman Joan, whose devotion from childhood to Elvis Presley takes on aContinue reading “From The Archive: Aye, Elvis”

Archive Theatre Review: BATSHIT

close search menu BATSHIT More than just a provocative title ★★★★ theatre review (edinburgh) | Read in About 2 minutes    Batshit Photo by Joel Devereux By Lorna Irvine Published 03 Aug 2024 With a typically taboo-baiting Edinburgh Fringe title, Leah Shelton’s one-woman show, directed by Ursula Martinez, could have been a clichéd romp through performance art tropes. But it’sContinue reading “Archive Theatre Review: BATSHIT”

The Great Performance Debate

Commedia Dell’arte Dr Gareth K Vile, great friend of mine and brilliant thinker, recently ruminated on the great Scottish theatre debate, because some critics hadn’t been invited to the musical version of ‘One Day’ : is it dying? I can’t speak to a broader academic discourse, as I’m a university dropout, and not a doctorContinue reading “The Great Performance Debate”

Theatre Review: Saint Joan

Perth Theatre, March 4th, 2026. Director Stewart Laing makes work that occupies liminal spaces, so it was perhaps inevitable that he would take on an adaptation of George Bernard Shaw’s play Saint Joan, in his characteristically complex, radical style. By adapting Shaw’s unfinished film script and transposing it to stage in a raw, sparse styleContinue reading “Theatre Review: Saint Joan”

Keep It Live

There’s nothing like seeing artists playing live. The energy, that electricity that can’t be replicated elsewhere is one of my favourite experiences in life. New artists are passionate and give their all. At the moment, though, I’m recovering from hip replacement surgery, so unable to see music like I used to. This town has noContinue reading “Keep It Live”

Archive Review: Happy Days, Tron Theatre

Exeunt exeunt Reviews • Glasgow • ScotlandPublished 21 May 2015 Happy Days Tron Theatre ⋄ 15th – 23rd May 2015 Bleakly hilarious. Lorna Irvine Credit: John Johnston Samuel Beckett wrote brilliant, multi-faceted female characters, so when quintessential actress and his personal favourite, Billie Whitelaw, passed away in December of last year, she left an irreplaceable space in theatre. It seems,Continue reading “Archive Review: Happy Days, Tron Theatre”

Bard In The Botanics 2025 Season

Bard in the Botanics announces the new programme for 2025 season. The endlessly gripping and inventive team return with more suspense, humour, grit, mystery and romance this Summer. Images: A Midsummer Night’s Dream; Romeo and Juliet, Doctor Faustus, Sherlock Holmes: A Scandal in Bohemia Bard in the Botanics has today announced details of its 2025 season,Continue reading “Bard In The Botanics 2025 Season”