Dundee Rep Theatre, May 28th, 2026. In a week that saw a bitter row erupt within the BBC regarding men taking on women’s stories (four hundred female writers signed an open letter against Jeff Pope doing a dramatisation of Sarah Everard’s murder) questions still remain about the authorship of female experience. But there’s no suchContinue reading “Theatre Review: Educating Rita, Dundee Rep Theatre”
Tag Archives: Live theatre
Lear at Pitlochry Festival Theatre
Full casting announced for the Pitlochry Festival Theatre production of Lear Pitlochry Festival Theatre has today announced the full cast for their forthcoming production of Lear – Finn den Hertog’s new adaptation of William Shakespeare’s classic tragedy. As previously announced, the production will be led by Scottish stage and screen icon, Maureen Beattie as Lear and Forbes Masson as Gloucester. They will be joined in theContinue reading “Lear at Pitlochry Festival Theatre”
Archive Review: Grimalkin 555, Buzzcut 2017
thetempohouse April 18, 2017 • Spoilt Victorian Child Grimalkin 555: ‘No Demoniacs!’ Govan Parish Church We are gathered here tonight to bear witness to horror screen misogyny: to torture; mutilation, stabbing, strangulation, asphyxiation, hurtling bodies off buildings.All in glorious monochrome and Technicolor: women in the final death throes, hysterical and helpless, dying, endlessly dying,and all so beautifully.Continue reading “Archive Review: Grimalkin 555, Buzzcut 2017”
Theatre Review: Sunset Boulevard- The Backstage Cut
Perth Theatre, 9th of May, 2026. Writer and director Morag Fullarton follows the winning formula she created with Casablanca: The Gin Joint Cut, with this, at once deconstruction of and homage to the classic Billy Wilder Hollywood satire. This isn’t the play’s first rodeo though- its first iteration was at A Play A Pie andContinue reading “Theatre Review: Sunset Boulevard- The Backstage Cut”
Theatre In Pop Is Back
Back in the seventies, decent pop leaned into the avant-garde, with artists transcending mere gigs. This was pop as theatre. Bowie, Kate Bush and even prog rock charlatans like Emerson, Lake and Palmer and Genesis could be found using stage craft, props and exquisite scenography to boost their strange and otherworldly music. This elevated itContinue reading “Theatre In Pop Is Back”
From The Archive: Aye, Elvis
thetempohouse Review: Aye, Elvis February 27, 2018 • Spoilt Victorian Child Photo: Leslie Black Sometimes, all you need is a flying suit and a big dream. Or so it seems. Morna Young’s rather bonkers, but sweet, play for PPP, focuses on the eternal dreamer, Aberdonian woman Joan, whose devotion from childhood to Elvis Presley takes on aContinue reading “From The Archive: Aye, Elvis”
Archive Theatre Review: BATSHIT
close search menu BATSHIT More than just a provocative title ★★★★ theatre review (edinburgh) | Read in About 2 minutes Batshit Photo by Joel Devereux By Lorna Irvine Published 03 Aug 2024 With a typically taboo-baiting Edinburgh Fringe title, Leah Shelton’s one-woman show, directed by Ursula Martinez, could have been a clichéd romp through performance art tropes. But it’sContinue reading “Archive Theatre Review: BATSHIT”
The Great Performance Debate
Commedia Dell’arte Dr Gareth K Vile, great friend of mine and brilliant thinker, recently ruminated on the great Scottish theatre debate, because some critics hadn’t been invited to the musical version of ‘One Day’ : is it dying? I can’t speak to a broader academic discourse, as I’m a university dropout, and not a doctorContinue reading “The Great Performance Debate”
Theatre Review: Saint Joan
Perth Theatre, March 4th, 2026. Director Stewart Laing makes work that occupies liminal spaces, so it was perhaps inevitable that he would take on an adaptation of George Bernard Shaw’s play Saint Joan, in his characteristically complex, radical style. By adapting Shaw’s unfinished film script and transposing it to stage in a raw, sparse styleContinue reading “Theatre Review: Saint Joan”
Keep It Live
There’s nothing like seeing artists playing live. The energy, that electricity that can’t be replicated elsewhere is one of my favourite experiences in life. New artists are passionate and give their all. At the moment, though, I’m recovering from hip replacement surgery, so unable to see music like I used to. This town has noContinue reading “Keep It Live”