Kate Bush’s Influences

Pics of Kate Bush: John Carder Bush J W Waterhouse, ‘The Lady of Shallot’. Kate Bush was always upfront in her literary and artistic influences. She essayed The Brontes of course, but also Tennyson, Shakespeare and John William Waterhouse. Her Pre-Raphaelite aesthetic was unique in a time of punk, prog and so on, but theContinue reading “Kate Bush’s Influences”

Roll Up! Roll Up! It’s Fringe Time

Roll up! Roll Up! It’s Edinburgh Fringe time. Quick, hide the addicts and the homeless. Slap on your rouge and your lipstick and get in that doorway, bitch. Entice them in. Shake yer moneymaker. Show them yer wares. A tartan tart in tat, that’s what you are. By god, it’s pure radge but we willContinue reading “Roll Up! Roll Up! It’s Fringe Time”

Some Edinburgh Fringe 2026 Predictions

****! A title will have a swear word and the accompanying poster will have a suitably provocative image, which will be catnip/rage bait to Quentin Letts. Gilded Balloon,7.30 pm 68 Guns Despite featuring music by The Alarm, this gory new musical, written by David Ireland, focuses on The Troubles. Traverse Theatre almost wet themselves withContinue reading “Some Edinburgh Fringe 2026 Predictions”

“I’ve had a great night… This wasn’t one of them!”

All too often , art critics are dismissed as being malcontents like The Muppets’ Statler and Waldorf, curmudgeonly, jaded old men who find no joy or pleasure in anything. But that’s both unfair and unhelpful. When poring over the music press as a teen, I knew this was what I wanted to do. Some epiphanyContinue reading ““I’ve had a great night… This wasn’t one of them!””

Archive Review: Grimalkin 555, Buzzcut 2017

thetempohouse April 18, 2017 • Spoilt Victorian Child Grimalkin 555: ‘No Demoniacs!’ Govan Parish Church  We are gathered here tonight to bear witness to horror screen misogyny: to torture; mutilation, stabbing, strangulation, asphyxiation, hurtling bodies off buildings.All in glorious monochrome and Technicolor: women in the final death throes, hysterical and helpless, dying, endlessly dying,and all so beautifully.Continue reading “Archive Review: Grimalkin 555, Buzzcut 2017”

The Great Performance Debate

Commedia Dell’arte Dr Gareth K Vile, great friend of mine and brilliant thinker, recently ruminated on the great Scottish theatre debate, because some critics hadn’t been invited to the musical version of ‘One Day’ : is it dying? I can’t speak to a broader academic discourse, as I’m a university dropout, and not a doctorContinue reading “The Great Performance Debate”

Keep It Live

There’s nothing like seeing artists playing live. The energy, that electricity that can’t be replicated elsewhere is one of my favourite experiences in life. New artists are passionate and give their all. At the moment, though, I’m recovering from hip replacement surgery, so unable to see music like I used to. This town has noContinue reading “Keep It Live”

Bard In The Botanics 2025 Season

Bard in the Botanics announces the new programme for 2025 season. The endlessly gripping and inventive team return with more suspense, humour, grit, mystery and romance this Summer. Images: A Midsummer Night’s Dream; Romeo and Juliet, Doctor Faustus, Sherlock Holmes: A Scandal in Bohemia Bard in the Botanics has today announced details of its 2025 season,Continue reading “Bard In The Botanics 2025 Season”

Why Series 4 (2022) of Drag Race UK Is My Favourite

Not all drag queens are created alike. RuPaul’s Drag Race was in danger of becoming a little bit safe, until she (legendary queen RuPaul Charles) and the producers (World Of Wonder) sent it to the UK. No judgment, but to me, it felt like our American sisters on their shows were more about looks, glamourContinue reading “Why Series 4 (2022) of Drag Race UK Is My Favourite”

Edinburgh Festival Review: Pain and I (Audio)

Sarah Hopfinger’s Pain and I is an incredible piece, accessible to all, as it’s both a live dance performance and online auditory piece. Hopfinger’s audio piece, featuring gorgeous string arrangements from Alicia Jane Turner, is at once personal tone poem and mantra. Charting her long struggle with neurological pain and back pain, Hopfinger’s words areContinue reading “Edinburgh Festival Review: Pain and I (Audio)”