Tag Archives: Lorna Irvine

Lost In Music: Cocteau Twins – Pearly Dewdrops Drops

This song is older than some of my band T shirts, but as with Cocteau Twins at their sweetest, it always feels like a warm room on a frosty day. It’s perfection: they pretty much invented dream pop, after all, with the music box twinkling, and ethereal beauty. But, as ever, you can make upContinue reading “Lost In Music: Cocteau Twins – Pearly Dewdrops Drops”

The Peel Sessions: Radial Spangle

Radial Spangle never got their dues. The band, who originally formed as a trio, from Oklahoma, made music that was forever pitched somewhere between the dreamy distraction of shoegazing and waywardnes of neo-psychedelia. Such was the early nineties, and they were, after all, friends with Mercury Rev and Flaming Lips. The session they recorded forContinue reading “The Peel Sessions: Radial Spangle”

Why Series 4 (2022) of Drag Race UK Is My Favourite

Not all drag queens are created alike. RuPaul’s Drag Race was in danger of becoming a little bit safe, until she (legendary queen RuPaul Charles) and the producers (World Of Wonder) sent it to the UK. No judgment, but to me, it felt like our American sisters on their shows were more about looks, glamourContinue reading “Why Series 4 (2022) of Drag Race UK Is My Favourite”

Je Deteste Amelie

I’ve a confession to share: I really hate Jean-Pierre Jeunet’s 2001 film, Amelie. The rom-com, with its insufferably childlike lead character, portrayed by the beautiful Audrey Tautou, is often cited by cineastes as revitalising French cinema in the millennium, but I find it nauseating. It seems I’m not alone in this. Savages ‘ lead singerContinue reading “Je Deteste Amelie”

Film Review: Kneecap

What’s the craic? Directed by Rich Peppiatt, this fictionalised account of the West Belfast hip-hop trio, has not been without controversy from, unsurprisingly, certain sectors of the British press. However, the band deny they’re pro – IRA, and define their film as a satire, a provocation mocking every Irish trope ever committed to film, particularlyContinue reading “Film Review: Kneecap”

One From The Tempo House Archive: RM Hubbert/Aidan Moffat, The Old Fruitmarket, 2019

Celtic Connections Review: RM Hubbert/ Aidan Moffat February 4, 2019 • Spoilt Victorian Child Reviewed at The Old Fruitmarket, Glasgow Who doesn’t like beery songs from teary places? The percussive, flamenco- inflected guitar of RM Hubbert, affectionately known in indie circles as ‘Hubby’, in collaboration with arch Arab Strap frontman, Aidan Moffat, scored unexpected ‘chart’ success last yearContinue reading “One From The Tempo House Archive: RM Hubbert/Aidan Moffat, The Old Fruitmarket, 2019”

Album Review: Jasmine.4.t- You Are The Morning

It’s not even out until January, but I’m calling it already: this thing of beauty will be one of 2025’s finest. Based in Manchester, Jasmine Cruickshank, who writes and records as Jasmine.4.t , makes music that disarms through its intimacy and hopeful, wistful intensity. Produced by Boygenius, it shares sonic DNA with early Perfume Genius,Continue reading “Album Review: Jasmine.4.t- You Are The Morning”

TV Review: Boybands Forever

“Fame, fame, fatal fame”, The Smiths once sang, “It can play hideous tricks on the brain”. They weren’t wrong- fame can indeed be a poisoned chalice. Louis Theroux and Nancy Strang’s excellent three -part documentary series about the boyband phenomenon of the nineties and early noughties explores the highs; lows, scandals, meltdowns and exploitation bubblingContinue reading “TV Review: Boybands Forever”

The Inexorable Rise Of Waitrose Indie

Alternative music with the crusts cut off, Waitrose Indie is really having its moment in 2024. The reasons for this are many and complicated: firstly, the music industry is a tough one to crack, so if you attended a posh school or had musician parents, you already had access to insiders who could provide businessContinue reading “The Inexorable Rise Of Waitrose Indie”