Album Review: Anna Secret Poet- I Saw This And Thought Of You

Friend of Hit The North and all -round legend Anna Secret Poet is back with arguably her most epic album to date. There’s some introspection wrapped in a piledriving anthem (‘Aimless’) a soupcon of cheeky country grunge with ricocheting guitars (‘ Old Unfaithful ‘) and the typical eccentricity we’ve come to associate with her songContinue reading “Album Review: Anna Secret Poet- I Saw This And Thought Of You”

One From The Tempo House: Cracked Actor -When Bowie Killed Ziggy

Ahead of his twenty fifth studio album Blackstar, Lorna Irvine looks at the BBC documentary which showed Bowie at a major turning point in his career. Almost forty years after its creation, Alan Yentob’s candid documentary for the Beeb on David Bowie still stands up beautifully, juxtaposing the disintegration of Bowie’s health and ego as heContinue reading “One From The Tempo House: Cracked Actor -When Bowie Killed Ziggy”

Lucifer Over Lanarkshire: Rocky Horror Sucks

Every year at the Samhain, or Halloween, season, musical theatre lovers break out their basques, fishnets and eyeliner and strut to theatres to see ‘The Rocky Horror Show’. Created by Richard O’Brien in the seventies, it fused glam rock with kitsch horror and has become a staple of repeated stage and screen experiences worldwide. ButContinue reading “Lucifer Over Lanarkshire: Rocky Horror Sucks”

The Future’s Here Today: Baby Lame

Described by her creator Chris Weller as a “punk -horror-drag superstar”, the award winning Baby Lame is one of the finest drag queens out there. Having wowed/freaked out audiences at the Edinburgh Festival last year with her Final Baby Girl show, she continues to stomp over cliches in her candy floss shock wig, beard, clownContinue reading “The Future’s Here Today: Baby Lame”

Aladdin Sane at 50

If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”