Category Archives: Lorna Irvine

Why ‘Surfer Rosa’ is still the tits!

Never mind Nevermind: for me, the albums that signified that the 90s were going to be musically exciting were by Sonic Youth, My Bloody Valentine and Pixies…amongst others. Everyone raves about Doolittle and it’s perfectly fine, but for me, Surfer Rosa is still perfection. Originally, it was to be titled Gigantic after the glorious songContinue reading “Why ‘Surfer Rosa’ is still the tits!”

Lost In Music: Janet Jackson – Rhythm Nation

Before the all-time conquering Beyonce, there was Janet Jackson. Prior to Rhythm Nation, she’d been something of a sweetie pie, the wholesome, apple- cheeked kid sister to Michael, forever in his shadow. A few good singles aside, she hadn’t really resonated in the UK . But, teaming up again in 1989 with super-producers Jam andContinue reading “Lost In Music: Janet Jackson – Rhythm Nation”

Album Review: Katie Gately- Fawn/Brute

The third album from American experimental artist Katie Gately has an illustration of two characters on the cover reminiscent of a Harlequinade. This seems apposite for a record that’s full of strange characterisation. Each title is one adjective only. Again, fair enough, as there are whispers, whoops and dark, nefarious threats lurking in corners. ForContinue reading “Album Review: Katie Gately- Fawn/Brute”

Just Step Sideways: Conspirators of Pleasure

Jan Svankmajer had always dabbled in the perverse in his short films, but his third feature film, Conspirators of Pleasure from 1996 goes full tilt. It’s hilarious, pointed and downright unnerving, even by his own surreal standards. All of the main preoccupations are present and correct here: bizarre puppetry; food, ritual and the act ofContinue reading “Just Step Sideways: Conspirators of Pleasure”

Aladdin Sane at 50

If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”

New Release: PJ Harvey- A Child’s Question, August

Ahead of her forthcoming tenth album, PJ Harvey releases this, her elegiac and beautiful new single, A Child’s Question, August. Working with Flood and John Parish, this bodes well for the album. It’s stunning, with a churning lyricism. The video was created by renowned photographer Steve Gullick, and actor Ben Whishaw provides backing vocals. ItContinue reading “New Release: PJ Harvey- A Child’s Question, August”

Overlooked Classics: Stage Beauty

Richard Eyre ”s 2004 film, with a wonderful screenplay by Jeffrey Hatcher, is a gem which still never seems to get the acclaim it deserves. I’ve never been quite sure why. The 17th century has often been mined for parody (think Blackadder, Monty Python etc) but this film, while often bawdy and hilarious, is exploratoryContinue reading “Overlooked Classics: Stage Beauty”

Kim’s Karaoke

The late eighties was ripe for parody. Pompous, crass, sexist pop was seemingly ubiquitous. So, Kim Gordon from Sonic Youth took the leery Robert Palmer tune, Addicted To Love, and kicked it in its groin. Ciccone Youth’s The Whitey Album was both knowing piss -take and affectionate homage. Their Sonic Youth offshoot was never goingContinue reading “Kim’s Karaoke”

Praise Be to Vod!

As if Sam Bain and Jesse Armstrong couldn’t have created one of the best sitcom characters ever in Peep Show ‘s Super Hans, they surely outdid themselves with Violet ‘Vod’ Nordstrom. Fresh Meat, which piggybacked on that show’s deserved success, had one of the funniest, sexiest and most complex characters ever. Surly, promiscuous, stealing fromContinue reading “Praise Be to Vod!”