Alison Mosshart and Jamie Hince, aka The Kills, arrived at a strange time for grunge/blues rock like lizards wriggling in a tin.. Indie sleaze, or whatever the tastemakers deemed it that week, was becoming passe, and genres were starting to blur, so a duo who came on like Royal Trux playing Beefheart were of courseContinue reading “Overlooked Classics: The Kills- Keep On Your Mean Side (2003)”
Category Archives: Lorna Irvine
The Future’s Here Today: Screensaver
There are few things finer in life than hearing about a new release from Upset The Rhythm. The Australian rascals called Screensaver are described as “synth punks” and make energetic, fizzy music that throws you around and bites you like a chew toy. Decent Shapes, the forthcoming album, is released on October 20th, so that’sContinue reading “The Future’s Here Today: Screensaver”
MALKA Makes Hopscotch Pop
Can we all agree that MALKA, aka Tamara Schlesinger, is making some of the best pop out there? It’s warm, catchy and inventive, with a little of everything thrown into the cocktail mix, in terms of genre… As well as forming the collaborative Hen Hoose, she continues to tread her own original path. This newContinue reading “MALKA Makes Hopscotch Pop”
Favourite Cover Versions: Tonight You Belong To Me (The Jerk)
The Jerk is in essence a silly film, showcasing the slapstick comedy of Steve Martin. He’s Navin, a classic doofus, a guy who, raised by a poor Black family, believes himself to be Black also. But also central to this runs the relationship between Navin and Marie. Bernadette Peters is Marie, and is a ClaraContinue reading “Favourite Cover Versions: Tonight You Belong To Me (The Jerk)”
Overlooked Classics: Niagara
Henry Hathaway ‘s 1953 thriller was a radical departure for rising star Marilyn Monroe. She portrays Rose, an ice cool newlywed just hitched to George (Joseph Cotten) who’s just been discharged from an army mental hospital, having served in Korea. She befriends the sweet if vapid Polly and Ray (Jean Peters and Casey Adams) alsoContinue reading “Overlooked Classics: Niagara”
The Callous Arts Critic
Even his name is evocative of a furball being spat out. They don’t call him a hack for nothing. This arts critic, killer of dreams and mangler of the English language, stalks his prey undercover of darkness. Nobody is safe. I’m not naming names: here is not the space to settle scores. But I’ve metContinue reading “The Callous Arts Critic”
Favourite Cover Versions: Dave Gahan – Nothing Else Matters
You know how it is – you wait for a Metallica cover and two come along at once. Phoebe Bridgers has recently released a cover of Nothing Else Matters. But I prefer Dave Gahan from Depeche Mode and his solo version. There’s nothing as affected in the delivery here (sorry James Hetfield, I know it’sContinue reading “Favourite Cover Versions: Dave Gahan – Nothing Else Matters”
Film Review: Beau Is Afraid
Pitched between hysterical mayhem and an eerie calm, Beau Is Afraid makes Get Out look like The Wiggles. This almost three hour epic is trippy indeed, with all the logic of a fever dream.Although written and directed by Ari Aster it’s like a Kafka compendium created by Paul Thomas Anderson, with a soupcon of DavidContinue reading “Film Review: Beau Is Afraid”
The Austerity Era Hogarth
Christopher Spencer, who makes wonderful collage art as Cold WarSteve, is a Birmingham artist who I adore. He’s the austerity era Hogarth as far as I’m concerned. The main image (above) is his Coronation postcard, created to celebrate the best of the UK. It’s got everyone from Bowie to The Clash, Laura Mvula to LilyContinue reading “The Austerity Era Hogarth”
Overlooked Classics: Night On Earth (1991)
Among Jim Jarmusch’s many films, I feel two are often overlooked, Ghost Dog (Way Of The Samurai) and Night On Earth. The former, I’ll get to later, but I often wonder why this is the case. Night On Earth has all of the JarmuschIan qualities you’d expect: deadpan humour; strangers thrown together by circumstances outContinue reading “Overlooked Classics: Night On Earth (1991)”
Hit The North 