Oooh, that is a voice. Eccentric, velveteen and beautiful, the honeyed tones of Loren Kramar are going to be everywhere this year, if there is any justice left. With a background in gospel and musical theatre, these are perhaps not such a conventional route into contemporary music, but the perfectly crafted songs are exemplars inContinue reading “The Future’s Here Today: Loren Kramar”
Category Archives: Lorna Irvine
Album Review: Beans- Boots ‘N’ Cats
Formed in Melbourne by brilliant percussionist Matt Blach, the quintet Beans are fast becoming one of Australia’s best loved neo-psychedelic bands. This, their third album, takes its name from beatboxing, but that’s as modern a reference as you will find here. It’s retro all the way. Blach has said that themes of introspection are importantContinue reading “Album Review: Beans- Boots ‘N’ Cats”
Overlooked Classics: Cibo Matto-Viva!La Woman
Cibo Matto never got their dues, I think. The Japanese -American duo, who recently reformed, made one of my favourite nineties albums with the debut, Viva! La Woman.. I think humour is often dismissed in music, and there is a lot of humour here, but it’s simply brilliant avant – pop. For a pair obsessedContinue reading “Overlooked Classics: Cibo Matto-Viva!La Woman”
Anatomy Of A Fall Song: I Am Damo Suzuki
We’ve lost some wonderful people lately, and far too young: Benjamin Zephaniah, Olly Emanuel and Sinead O’Connor, to name but a few. Damo Suzuki ,while not as young, nevertheless leaves a sad space in our lives. The indefatigable solo artist and former Can frontman toured and recorded well into his senior years. He passed awayContinue reading “Anatomy Of A Fall Song: I Am Damo Suzuki”
Overlooked Classics: The Damned- Strawberries
Who said goths don’t have a sense of humour? Strawberries, The Damned‘s fifth studio album, is a fun ride.Drawing upon sixties psychedelia, as with Generals, Dozen Girls and Stranger On The Town, it’s got some gleefully silly lyrics, due in no small part to trickster Capture Sensible and his playful subversion. Indeed, Don’t Bother Me andContinue reading “Overlooked Classics: The Damned- Strawberries”
My Favourite Comedy Sketch…Ever
In December 1976, Queen were scheduled to appear on an early evening TV show, Tonight With Bill Grundy. But they couldn’t make it, so instead Sex Pistols were invited, along with their pals, The Bromley Contingent. This included a young Siouxsie Sioux. Grundy, already a little drunk and not au fait with the zero fucks givenContinue reading “My Favourite Comedy Sketch…Ever”
Album Review: Bo Ningen- The Holy Mountain
Who better than the London based Japanese psych/noise band Bo Ningen to provide a new soundtrack for Alejandro Jodorowsky”s cult 1973 film The Holy Mountain? They’ve always been sonic explorers, pushing layers of intensity in their sound and open to experimentation. This new album, a reimagining of the soundtrack, epitomises this, from the layered, hypnotic TheContinue reading “Album Review: Bo Ningen- The Holy Mountain”
The Space Age Genius of Tomita
Before Air or Aphec Twin, there was Isao Tomita. Born in Tokyo, Japan in the early 30s, he’s often overlooked for similar sound pioneers. While Kraftwerk and The Radiophonic Workshop were rightly praised for their forward-thinking approach to electronic music in Europe, Tomita was quietly, brilliantly, doing his own thing in Japan. Sadly, his passingContinue reading “The Space Age Genius of Tomita”
Overlooked Classics: Ultra Vivid Scene’s eponymous debut
Le swoon! This album is still incredible, all these years later. The debut album, Ultra Vivid Scene, by the band with the same name, is often forgotten about in the usual indie legends slots. Not here,though. Forgive my little foray into self- indulgence, it’s my birthday tomorrow. It was 1988, and I was experiencing myContinue reading “Overlooked Classics: Ultra Vivid Scene’s eponymous debut”
New Release: Annie-Claude Deschenes- Phones
C’est bon. The new single from multi-disciplinary Montreal artist Annie-Claude Deschenes is the right side of retro, featuring teasing, retro-futurist music which is both 1984, and 2024. The second single from her forthcoming debut album Les !Manieres De Table, this enigmatic track captures modern overwhelm brilliantly, the need for constant communication and information at all times.Continue reading “New Release: Annie-Claude Deschenes- Phones”