Sex is a dance that’s best when it’s improvised. That is seemingly the subtext to ‘Good Luck To You, Leo Grande’. Written by comic actor Katy Brand and directed by Sophie Hyde, it’s a refreshingly honest look at age gap sex. Thankfully the candour means there are no traditional romcom tropes, nor “feeling to healing”Continue reading “Film Review: Good Luck To You, Leo Grande”
Tag Archives: Review
Album Review: Debby Friday- The Starrr Of The Queen Of Life
All the best pop bangers have a yearning undercurrent: think Madonna’s ‘What It Feels Like For A Girl ‘, Robyn’s ‘Dancing On My Own’, St Etienne and ‘He’s On The Phone’. This is also true with R & B- any number of artists, from The Supremes to Solange, mine dark corners of the dancefloor toContinue reading “Album Review: Debby Friday- The Starrr Of The Queen Of Life”
Vintage Film Review: Welcome To The Dollhouse
Todd Solondz’s debut feature film from 1995 is still the most painfully accurate depiction of school brutality I’ve seen: the usual parental advice of ‘just ignore them and they’ll go away” never works, simply because bullying is a ritual, and relentless in its targets. So it is for the main character here and target ofContinue reading “Vintage Film Review: Welcome To The Dollhouse”
Album Review: All The Young Droids: Junkshop Synth Pop
Philip King’s compilation of late-seventies – mid-eighties synth pop has a similar, if less political, approach as Adam Curtis: find leftfield, obscure tracks and highlight them, creating a sideways look at pop culture. As the title suggests, there is a DIY, deliberately un-glossy attitude to much of the music on offer. Frankie Goes To HollywoodContinue reading “Album Review: All The Young Droids: Junkshop Synth Pop”
TV Review: What It Feels Like For A Girl
All television is not created equally. Adapted from trans writer and activist Paris Lees’ memoir, and directed by Brian Welsh, Ng Choon Ping and Marie Kristiansen, What It Feels Like For A Girl is absolutely wonderful, a unique account of lived experience. It’s as raw as love bites, hilarious and often heartbreaking. I watched theContinue reading “TV Review: What It Feels Like For A Girl”
Film Review: The Public Image Is Rotten (2017)
Director Tarrbert Fiiller’s documentary on Public Image Ltd. is downbeat, insightful and strangely touching, poking at the open wounds involved when working alongside the inimitable John Lydon. With rare access to interviews with the imp himself, plus ex-band members like Keith Levene, Allan Dias and Martin Atkins, it’s more intimate and candid than your average,Continue reading “Film Review: The Public Image Is Rotten (2017)”
Album Review: Lili Holland-Fricke and Sean Rogan- Dear Alien
This debut is a glorious thing indeed, bringing some much needed sunshine as days get colder. The duo, both based in Manchester, recorded the album in Greenwich, and it’s both melodic and full of improvised energy. Sleepy, feline cellos mesh with tape loops and it’s Holland -Fricke’s unique approach to cello playing that feels soContinue reading “Album Review: Lili Holland-Fricke and Sean Rogan- Dear Alien”
Album Review: Geneva Jacuzzi – Triple Fire
LA musician and performance/visual artist Geneva Jacuzzi has a lot of heat around her…pun intended. It’s clear that she’s ambitious and talented, her synth pop sound coming over like she chewed up and spat out the entire eighties decade. So there’s a Warholian flavour to brand new album Triple Fire . Opener ‘Laps Of Luxury’Continue reading “Album Review: Geneva Jacuzzi – Triple Fire”
Album Review: Xiaowang-Kachakacha
What an exciting debut from this young Bejing band. Xiaowang make music that’s as unexpected as it’s exhilarating. They’re described as “kawaiicore” and that’s a perfect term, as their music is often pitched between the fun and the terrifying. Steal vacillates between deadpan choppy postpunk and death metal roars, whereas Duck Song is slicing, staccatoContinue reading “Album Review: Xiaowang-Kachakacha”
Congratulations Switzerland!
Amid a political storm (Palestinian supporters were vocal in their protests outside the venue) and controversy (Netherlands artist Joost Klein was disqualified after allegedly “inappropriate behaviour” towards a camerawoman) Nemo, Switzerland ‘s entry, won with a great song and heartfelt, energetic performance. The Code, which tackles Nemo’s non -binary identity, won public and cross-continental votesContinue reading “Congratulations Switzerland!”
Hit The North 