Lost In Music: Grace Jones – A One Man Show

As I’ve undoubtedly stated before, I often gravitate towards art that frightens me. Grace Jones ‘ A One Man Show created in 1982 by Jones with then- partner Jean Paul Goude, is one such example. Channel 4 screened it a few years later and I was still in my early teens. It remains a formativeContinue reading “Lost In Music: Grace Jones – A One Man Show”

Film Review: Queendom

Times are truly appalling. With the Orange Menace having been sworn in as president of the United States yesterday, cosying up to tech billionaires and hellbent on promoting “only two genders”, this fascinating, deeply moving documentary film from Agniya Galdanova is a reminder of how art can flourish in the wake of capitalist greed andContinue reading “Film Review: Queendom”

Why Series 4 (2022) of Drag Race UK Is My Favourite

Not all drag queens are created alike. RuPaul’s Drag Race was in danger of becoming a little bit safe, until she (legendary queen RuPaul Charles) and the producers (World Of Wonder) sent it to the UK. No judgment, but to me, it felt like our American sisters on their shows were more about looks, glamourContinue reading “Why Series 4 (2022) of Drag Race UK Is My Favourite”

Film Review: Tramps!

The natural reaction to a conservative era is to reject it, subvert it entirely and aim higher. So it was with the “New Romantics”, the movement which gave us Boy George, Michael Clark, Duran Duran, Leigh Bowery, Marilyn, Visage and Spandau Ballet. These stylish, freaky rebels were part of a loose “family” of club kidsContinue reading “Film Review: Tramps!”

The Future’s Here Today: Baby Lame

Described by her creator Chris Weller as a “punk -horror-drag superstar”, the award winning Baby Lame is one of the finest drag queens out there. Having wowed/freaked out audiences at the Edinburgh Festival last year with her Final Baby Girl show, she continues to stomp over cliches in her candy floss shock wig, beard, clownContinue reading “The Future’s Here Today: Baby Lame”

How John Waters Was Prescient

John Waters was completely ahead of his time. To so many people, he’s still the epitome of transgressive cinema, trashy and shocking for shock’s sake, but this is a reductive way of regarding his work.He was utterly prescient, a kind of prophet, if you like. Take 1970’s Female Trouble. Dawn Davenport, magnificently portrayed by DivineContinue reading “How John Waters Was Prescient”

Book Review: Genesis P-Orridge- NON BINARY

For anyone interested in transgressive art, the name Genesis P-Orridge needs no introduction. An artist interested in pushing societal boundaries of gender, sex, religion and politics, their art always provoked. In the seventies, as part of the noise/visual collective COUM Transmissions, and industrial pioneers Throbbing Gristle, they were met with resistance from establishment figures, censored,Continue reading “Book Review: Genesis P-Orridge- NON BINARY”