Grunge influences and 90s alt rock nods are still around in contemporary music. Indoor Pets definitely channel the energy of Nirvana, Pixies and Jane’s Addiction, while retaining their own 2020s sound. It’s so well executed that it feels like a great big shot of adrenaline. ‘London’ and the title track are fuzzy, pile-driving songs asContinue reading “Album Review: Indoor Pets- Pathetic Apathetic”
Category Archives: Album
Overlooked Classics: Nick Drake- Pink Moon
Everyone seems to like the other two Nick Drake studio albums- Five Leaves Left and Bryter Layter– but as much as I like them, for me it’s all about the quiet, sad, low-key gem from 1972, Pink Moon. Drake’s music, for me, reveals the kind of torpor of country life. It’s a paradox, a senseContinue reading “Overlooked Classics: Nick Drake- Pink Moon”
Album Review: Ora Cogan- Formless
The Canadian artist’s eighth album is a real labour of love, with contributions from Luz Elena Mendoza of Y La Bamba on the mellifluous, twisty duet’Ways Of Losing’ and LANKUM’s Cormac Mac Diarmada playing violin and viola on ‘Feel Life’. ‘Dyed ‘ feels like a folky jazz incantation with a psychedelic undertow and her newContinue reading “Album Review: Ora Cogan- Formless”
Overlooked Classics: Common Holly- Playing House
There are some artists who make albums that should have been huge. Better known by her stage name Common Holly, Brigitte Naggar is a Canadian musician from Montreal.As Common Holly, Naggar has released two full-length albums, but her debut is so underrated it beggars belief. It’s so fully formed, it’s astonishing. Naggar’s first album, Playing House, was releasedContinue reading “Overlooked Classics: Common Holly- Playing House”
Album Review: Man Of Moon- Machinism
With issues around Artificial Intelligence very much becoming ubiquitous, this brilliant second studio album from Glasgow duo Man Of Moon is timely. As the title, Machinism, suggests, there are songs that allude to humans and machines, sometimes in symbiosis, sometimes not. There’s a sense of unease, throughout, as themes of societal problems in our dividedContinue reading “Album Review: Man Of Moon- Machinism”
Album Review: Broadcast – Spell Blanket -Collected Demos 2006-2009
When we lost Trish Keenan in 2011, we lost one of indie music ‘s most beloved singers. Her hushed, wide -eyed voice radiated a calm that felt disconcertingly eerie. Broadcast’s retro-futurism both soothed and disturbed in equal measure. This compilation of 36 tracks, from ‘The Song Before The Song Comes Out’ to ‘Spirit House’ showsContinue reading “Album Review: Broadcast – Spell Blanket -Collected Demos 2006-2009”
Overlooked Classics: Hole- Pretty On The Inside
You love Nevermind. I love Nevermind. We all do. But let’s not overlook Hole’s ferocious debut studio album from 1991, Pretty On The Inside. The kinder whore aesthetic, as it had been unfortunately termed, suited the sound: ripped lace, torn tights and smudged makeup. The Slits, as far as I’m concerned, invented the look. CourtneyContinue reading “Overlooked Classics: Hole- Pretty On The Inside”
Album Review: Gossip- Real Power
Gossip ‘s return was announced with little fanfare, as the best surprises always are. But, while they’re always great to see live, this new studio album is something of a disappointment. Rick Rubin is on board as producer, which ironically may be the problem. It often sounds too glossy, as though sonically airbrushed. The moreContinue reading “Album Review: Gossip- Real Power”
Overlooked Classics: Julian Cope- World Shut Your Mouth
This is the album, not the song. That can be found, of course, on Saint Julian. World Shut Your Mouth marked Julian Cole’s transition from Teardrop Explodes pin -up,to eccentric solo artist. And there are a couple of would -be TE tracks on here (Pussyface’ and ‘Metranil Vavin’) but in the main, it’s Cope flyingContinue reading “Overlooked Classics: Julian Cope- World Shut Your Mouth”
Album Review: Corridor -Mimi
Mimi, named after lead singer Jonathan Robert’s cat, is Corridor’s fourth album. It’s effervescent, sometimes melancholic, sometimes hopeful, but always dynamic. The Montreal band sing in French, and draw from both European and American influences. It’s apparent on tracks like ‘Mon Argent’, which fizzles with Krautrock energy, before going all glitchy and dissonant. This isContinue reading “Album Review: Corridor -Mimi”