Overlooked Classic : Ben Golomstock- Stories From the Moon

The late composer, DJ and musician Ben Golomstock created an album with some of his friends, and it’s glorious: a melee of Miranda Sex Garden style enchanted rock and the more classical, cinematic side. Having joined Miranda Sex Garden early doors, this album Golomstock co-wrote with his collaboraters can’t help but lean into the gothicContinue reading “Overlooked Classic : Ben Golomstock- Stories From the Moon”

TV Review: Only Child

Writer and director Bryce Hart’s sitcom Only Child is fairly generic on paper: prodigal son returns to small town to reconnect with ageing parent. But it’s the minutiae and pathos that make this sitcom so binge worthy, and, ultimately, truly affecting. Greg McHugh portrays Richard Pritchard, a mid-level actor returning to the small northern townContinue reading “TV Review: Only Child”

From The Archive: Aye, Elvis

thetempohouse Review: Aye, Elvis February 27, 2018 • Spoilt Victorian Child Photo: Leslie Black Sometimes, all you need is a flying suit and a big dream. Or so it seems. Morna Young’s rather bonkers, but sweet, play for PPP, focuses on the eternal dreamer, Aberdonian woman Joan, whose devotion from childhood to Elvis Presley takes on aContinue reading “From The Archive: Aye, Elvis”

Bad Cover Versions: David Hasselhoff- The Passenger (2021)

Want to know what a midlife crisis sounds like? Look no further. This candy ass version of the Berlin era Iggy Pop classic is like your drunken uncle at karaoke, going, “I’ve still got it, damn it. Don’t I?” It’s like his association with Germany made him believe he could do this song justice. Demonstrably,Continue reading “Bad Cover Versions: David Hasselhoff- The Passenger (2021)”

That Night

My spine is a fret board, I feel electricity in my hair. The bass just hit me and the drums turn the tips of my fingers into claws. We’re sandwiched between each other and now they’re playing my favourite song, you know the one from the debut. You’re twirling, I don’t know why. You lookContinue reading “That Night”

Archive Theatre Review: BATSHIT

close search menu BATSHIT More than just a provocative title ★★★★ theatre review (edinburgh) | Read in About 2 minutes    Batshit Photo by Joel Devereux By Lorna Irvine Published 03 Aug 2024 With a typically taboo-baiting Edinburgh Fringe title, Leah Shelton’s one-woman show, directed by Ursula Martinez, could have been a clichéd romp through performance art tropes. But it’sContinue reading “Archive Theatre Review: BATSHIT”

The Body Keeps The Score

Before we left, before the final barbs, before the hurt, before the anger, before the indifference, I knew. I knew that the kindness was performative, that you’re an imposter. I knew that you study others, because you are dead inside. Before goodbye, the smiles, winks, studied lines, I knew it was only a matter ofContinue reading “The Body Keeps The Score”