Lost In Music: Aphex Twin- Come To Daddy

In these terrible days of Boris and his cronies’ collective hubris, we need an anthem to guide us into the light- a song which, heads raised aloft like Boudicca, we sing to raise spirits and gladden hearts. It’s what Dame Vera stood for and by jingo, it’s what we need right now. Bollocks we do.Continue reading “Lost In Music: Aphex Twin- Come To Daddy”

Frankenweenie(1984)

In many ways, the original short film version of Frankenweenie is a sharp satire on horror cinema and its tropes: after all, Shelley Duvall plays the Mom, which foreshadows the macabre undertow (isn’t she the archetypal horror film Mom as resilient Wendy Torrance in The Shining?) Written by Lenny Ripps and directed by a youngContinue reading “Frankenweenie(1984)”

Generic White Middle-Class Performance Poet

I’m getting so bored of this crap that I thought I’d homage them myself. Took me roughly three minutes. Ooh, it’s enough to make you spit out your flat white in Costa Coffee. Generic White Middle-Class Performance Poet I’m jabbing at you Jabbing with my ire With my flat tyre Flat out, tired Well-worn dropletsContinue reading “Generic White Middle-Class Performance Poet”

Why Midnight Cowboy Remains Relevant

It may be nigh-on impossible to watch any Dustin Hoffman these days without hearing Steve Coogan and Rob Brydon parodying his nasal New York accent, but I watched John Schlesinger’s classic Midnight Cowboy the other night and it still remains an astute metaphor for the mess America is in, now as then. Joe Buck (JonContinue reading “Why Midnight Cowboy Remains Relevant”