Dance Review: Eidos/Rules To Live By

This wonderful double bill by dance artist Suzi Cunningham couldn’t be more perfect for this blog. Eidos was created by Cunningham in tribute to both the late,great Mark E Smith of The Fall, and Cunningham ‘s own grandmother, who like Cunningham herself exuded glamour and independence. Cunningham is like a shapeshifting sorceress. She is, variously,Continue reading “Dance Review: Eidos/Rules To Live By”

Album Review: The Last Dinner Party – Prelude To Ecstasy

These days, bands can ride a tidal wave of hype, long before even their debut album hits Spotify. Taste makers are always clamouring for the next big thing. So it is with The Last Dinner Party. They’ve been everywhere over the last year. Unfortunately, they don’t feel like worthy recipients of such praise. This debutContinue reading “Album Review: The Last Dinner Party – Prelude To Ecstasy”

One From Exeunt Archive: Jasmin Vardimon Pinocchio

REVIEWS • DANCE • REVIEWSPublished 12 May 2017 Review: Pinocchio at the Festival Theatre, Edinburgh MAY 2 A highly original, thoroughly rollicking ninety minutes: Lorna Irvine enjoys Jasmin Vardimon’s multi-faceted dance adaptation of this classic children’s story. LORNA IRVINE Pinocchio, Jasmin Vardimon Company. Photo: Tristram Kenton. Assassins? Beyonce? A brutal subtext about exploitation? It must be choreographer Jasmin Vardimon’sContinue reading “One From Exeunt Archive: Jasmin Vardimon Pinocchio”

Album Review: Xmal Deutschland – Early Singles (1981-1982)

It’s strange, but Xmal Deutschland seemed to suffer the same fate as other cult bands like The Stooges, Suicide and Velvet Underground – they didn’t sell many records when they began, but gradually became more influential with time. Bands like Warpaint, VR Sex, Current Affairs and Savages owe them a debt- they definitely share aContinue reading “Album Review: Xmal Deutschland – Early Singles (1981-1982)”

Why The Traitors Works

Warning: spoilers ahead… Farewell then, to the unmissable second series of The Traitors UK. Presented by everyone’s favourite glam auntie type, Claudia Winkleman, it’s the BBC’s biggest cash cow in years, and with good reason. It’s great fun, and very smart. Essentially, a game like Mafia or Cluedo, but framed as a reality show withContinue reading “Why The Traitors Works”

Podcast Review: Things Fell Apart

In this time of noise, overload and division, it’s easy to get deep into doomscrolling and overwhelm. So it’s wonderful that writers and broadcasters like Jon Ronson exist in the world. As with his brilliant books (he’s tackled everything from social !media cancellation, to the roots of psychopathy) his podcast Things Fell Apart, takes on theContinue reading “Podcast Review: Things Fell Apart”

Film Review: Love, Lizzo

Until the recent allegations against her, I had a lot of admiration for Lizzo. Born Melissa Jefferson in Detroit, she went from niche hip hop artist to global superstar in a decade: not bad for a big, Black woman who sings, raps, twerks and is a classically trained flautist with her own clothing brand andContinue reading “Film Review: Love, Lizzo”

Film Review: Little Richard – King And Queen Of Rock ‘n’ Roll

As befits the legendary, lare pioneer of rock ‘n’ roll, Little Richard – King And Queen Of Rock ‘n’Roll is a wild ride.James House’s documentary for Arena is conventional in its linear structure- but Richard Penniman’s life was anything but. Born in Macon, Georgia in 1932, Penniman was moved by gospel singers he’d heard inContinue reading “Film Review: Little Richard – King And Queen Of Rock ‘n’ Roll”

TV Review: Louis Theroux Interviews… Pete Doherty

“You’re looking at a sick man”, grins Pete Doherty, troubled co- founder of English indie band The Libertines. And it’s hard to disagree. His struggles with addiction have been legend in the UK, often overshadowing his music career. The British tabloids went wild during the band’s late nineties heyday, documenting heroin use, his relationship withContinue reading “TV Review: Louis Theroux Interviews… Pete Doherty”

Album Review: Mary Lattimore- Goodbye,Hotel Arkada

Don’t let the title fool you – the fifth studio album from LA harpist Mary Lattimore isn’t a hippy-dippy concept album. Rather, it invites adjectives like “ethereal” and “otherworldly” . Very much a collaborative project, Lattimore has again created music that exists in liminal spaces, dense but delicate, and powerful even when calm. The blurringContinue reading “Album Review: Mary Lattimore- Goodbye,Hotel Arkada”