No Burns Night Here

Robert Burns is supposedly our National Bard, held in great esteem all over Scotland, but I’m having none of it. Bad enough that much of his work is doggerel (although Tam O’ Shanter is decent enough storytelling in its own way) but also, the man was allegedly a prick who raped his pregnant wife JeanContinue reading “No Burns Night Here”

Album Review: James Adrian Brown -Forever Neon Lights

Former Pulled Apart By Horses guitarist James Adrian Brown’s debut album is an eerie but slick series of beats, sitting somewhere between Boards Of Canada and Gold Panda. His choppy electronics are heavy but beautiful, warped yet melodic. These paradoxes make his sound interesting. Contradictions in sonics are always welcome with me. He may notContinue reading “Album Review: James Adrian Brown -Forever Neon Lights”

Thirty Swans A- Dancing

Photo: Hugo Glendenning When Matthew Bourne first premiered his ground-breaking Swan Lake, there were walkouts and little girls crying. Where were the girls in tutus? Why was there a gay storyline? Where were Odile and Odette? Pearls were clutched. It’s thirty years later, and happily Bourne’s iconoclastic and singular vision has not only endured, butContinue reading “Thirty Swans A- Dancing”

TV Review: Girlbands Forever

Following on from last year’s Boybands Forever documentary, produced by Louis Theroux and Nancy Strang, comes the sister companion Girlbands Forever. And it’s equally as fascinating, yet pretty flawed. Suga(babes) and Spice (Girls) is all very nice, but of course, as with the previous three part series, the reality was anything but. As before, ex-bandContinue reading “TV Review: Girlbands Forever”

Album Review: Haai- Humanise

The second album from London based electronic artist Teneil Throssell, aka HAAi, is absolutely sublime. Continuing with the gorgeous experimentation from debut Baby I’m Ascending, Humanise features friends like Jon Hopkins, Obi Franky, ILA and TRANS VOICES on the majestic ‘Satellite’. Elsewhere, we find Hot Chip’s Alexis Taylor on ‘New Euphoria’ and Kam-Bu on ‘Shapeshift’.Continue reading “Album Review: Haai- Humanise”

Album Review: Rival Consoles- Landscape From Memory

What a beauty. The gorgeous, endlessly inventive new album, from Rival Consoles, aka Ryan Lee West, invokes a kind of synaesthesia: you can almost hear colours. It’s textured, layer upon layer, like a kind of complex tromp l’oeil painting in sound. Tracks like ‘Catherine’, ‘Known Shapes’ and the stunning, shimmering ‘Soft Gradient Beckons’ appear likeContinue reading “Album Review: Rival Consoles- Landscape From Memory”

Freelancer’s Blues

It isn’t easy being a freelance arts writer. While I’m fully aware there are worse jobs to have (I previously worked in a call centre, a hotel and in retail, uggghhh) there are a few issues with this bizarre occupation. Firstly, some publications insist that they will pay you, only to renege at the lastContinue reading “Freelancer’s Blues”

Why Series 4 (2022) of Drag Race UK Is My Favourite

Not all drag queens are created alike. RuPaul’s Drag Race was in danger of becoming a little bit safe, until she (legendary queen RuPaul Charles) and the producers (World Of Wonder) sent it to the UK. No judgment, but to me, it felt like our American sisters on their shows were more about looks, glamourContinue reading “Why Series 4 (2022) of Drag Race UK Is My Favourite”

The Power of the Sad Banger

As Sophie Ellis-Bextor once observed, “It’s murder on the dancefloor”. But it’s sometimes fun to wallow in a little drama. This is where the sad banger comes in. It’s an anthem for the dumped, the disillusioned, or simply the thwarted romantic. Abba probably started it, these Eurovision winners with their Scandinavian melancholy in the verses,Continue reading “The Power of the Sad Banger”

Bill Bailey’s Kraftwerk Tribute

Since it’s the weekend,let’s get silly. Bill Bailey is one of my favourite ever comedians, a musical legend in his own right, and his tribute to Kraftwerk, one of his favourite bands of all time, takes a well known kids’ song out of context, and into his typically absurdist territory. “That’s what it’s all about”Continue reading “Bill Bailey’s Kraftwerk Tribute”