Tag Archives: David Bowie

Fallen To Earth, Low But Not Down

“It’s very romantic” , David Bowie explained to a bemused Russell Harty in one of their many infamous awkward chatshow exchanges, after of course the pompous host remained fixated on the aesthetics and not substance, yet again. He was of course referring to The Man Who Fall To Earth. Low, the album of around thatContinue reading “Fallen To Earth, Low But Not Down”

Documentary Review: Bowie- The Final Act

Sadly, it’s been almost a decade since the passing of the Thin White Duke. This documentary, which aired last night on Channel 4 in the UK, is a bit lopsided. Essentially, Bowie: The Final Act, directed by James Stiasny, initially comes across as a greatest hits of Bowie information, aiming for the gravitas and inventionContinue reading “Documentary Review: Bowie- The Final Act”

Album Review: Bowie Vienna ’78

Oh, dear. This live album from David Bowie’s Isolar tour from 1978 suffers from all the problems bootlegs- official or not- often have, namely, dodgy sound, audience chatter and a general sense of immense disappointment at the quality. There’s even a sense of Bowie and the band going through the motions- witness a knackered soundingContinue reading “Album Review: Bowie Vienna ’78”

Lost In Music: Klaus Nomi

Klaus Nomi is all too often rendered a footnote in musical history, a quirk in queer culture’s lineage, as his musical outpourings veered from the sublime to the ridiculous. He’s there, lurking like a camp Zelig figure on the disco dancefloors along with his more respected peers, or wiggling on TV behind Bowie like aContinue reading “Lost In Music: Klaus Nomi”

One From The Tempo House: Cracked Actor -When Bowie Killed Ziggy

Ahead of his twenty fifth studio album Blackstar, Lorna Irvine looks at the BBC documentary which showed Bowie at a major turning point in his career. Almost forty years after its creation, Alan Yentob’s candid documentary for the Beeb on David Bowie still stands up beautifully, juxtaposing the disintegration of Bowie’s health and ego as heContinue reading “One From The Tempo House: Cracked Actor -When Bowie Killed Ziggy”

Lost In Music: David Bowie -Hunky Dory

Hunky Dory is, for me, absolutely peerless. It’s perfection. It’s still overlooked in favour of The Rise and Fall Of Ziggy Stardust, etc, but it never fails to make me feel all warm inside. It’s hard to believe that Bowie was only in his twenties when this masterpiece was created. The songwriting, as well asContinue reading “Lost In Music: David Bowie -Hunky Dory”

Five Times Top Of The Pops Was Worth Watching

I’m positively fossil aged, but back in the day, we had these nebulous concepts called “the charts”. This was when record companies received notification of which musical artists were selling the most singles. The Top 40 was thus reflected on a terminally naff TV show on the BBC, usually with teenagers grinning dementedly, dancing inContinue reading “Five Times Top Of The Pops Was Worth Watching”

Film Review: Stardust (2020)

So says David Bowie, or rather Johnny Flynn in his role as (kind of) the late icon in Gabriel Range’s film from 2020. This line seems to be an in -joke,or even some kind of justification. This film is baaaad. It’s not cringey, watch -through -fingers, campy bad, it’s simply lazy bad. Flynn portrays aContinue reading “Film Review: Stardust (2020)”

Aladdin Sane at 50

If Ziggy was Cary Grant, Aladdin Sane was Peter Fonda. Recorded between December 1972 and January 1973, this iconic album, Bowie’s sixth, still feels like a deconstruction of fame and the American Dream from an outsider’s perspective. It’s experimental, as exemplified by Mike Garson’s wayward jazz piano on the wild title track. He goes maniacallyContinue reading “Aladdin Sane at 50”