Dismissed by American rock critic Robert Christgau as being made by “twerps’ (his slagging off is usually a good sign- just ask Iggy Pop) the fourth studio album saw Sparks expanding upon their trademark baroque pop sound, forever torn between arch and urbane (Something For The Girl With Everything) and sincere (the beautiful Never TurnContinue reading “Overlooked Classics: Sparks-Propaganda”
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Hit The North 