Album Review: Corridor -Mimi

Mimi, named after lead singer Jonathan Robert’s cat, is Corridor’s fourth album. It’s effervescent, sometimes melancholic, sometimes hopeful, but always dynamic. The Montreal band sing in French, and draw from both European and American influences. It’s apparent on tracks like ‘Mon Argent’, which fizzles with Krautrock energy, before going all glitchy and dissonant. This isContinue reading “Album Review: Corridor -Mimi”

Album Review: Adult Jazz- So Sorry So Slow

This album is heady, intoxicating and heavy. It takes a while to settle into certain rhythms, before turning, at times almost imperceptibly, into different genres, moods and textures. Once you allow yourself to let it just embrace you though, it pays dividends. Post-rock, fused with avant pop, it’s elusive but gorgeous. With Harry Burgess’ sweet,Continue reading “Album Review: Adult Jazz- So Sorry So Slow”

Album Review: Sinkane-We Belong

Sudanese- American Ahmed Gallab, who records as Sinkane, reflects the global village in this glorious new album, his eighth. Whether joyful and gospel inflected (Come Together, We Belong) disco workouts (the campy How Sweet Is Your Love) or songs of resistance (Everything Is Everything, and the fiery standout track Invisible Distance) which feel like anContinue reading “Album Review: Sinkane-We Belong”

Album Review: Xmal Deutschland – Early Singles (1981-1982)

It’s strange, but Xmal Deutschland seemed to suffer the same fate as other cult bands like The Stooges, Suicide and Velvet Underground – they didn’t sell many records when they began, but gradually became more influential with time. Bands like Warpaint, VR Sex, Current Affairs and Savages owe them a debt- they definitely share aContinue reading “Album Review: Xmal Deutschland – Early Singles (1981-1982)”

Album Review: Beans- Boots ‘N’ Cats

Formed in Melbourne by brilliant percussionist Matt Blach, the quintet Beans are fast becoming one of Australia’s best loved neo-psychedelic bands. This, their third album, takes its name from beatboxing, but that’s as modern a reference as you will find here. It’s retro all the way. Blach has said that themes of introspection are importantContinue reading “Album Review: Beans- Boots ‘N’ Cats”

Overlooked Classics: Cibo Matto-Viva!La Woman

Cibo Matto never got their dues, I think. The Japanese -American duo, who recently reformed, made one of my favourite nineties albums with the debut, Viva! La Woman.. I think humour is often dismissed in music, and there is a lot of humour here, but it’s simply brilliant avant – pop. For a pair obsessedContinue reading “Overlooked Classics: Cibo Matto-Viva!La Woman”

Album Review: The Kills- God Games

This is enough to make a porn star blush. This album is pure filth. The Kills have always made music that seems coated in sticky booze, cigarette ash and bodily fluids, but this, their sixth, could be the sexiest since ‘No Wow’. Alison Moorhart’s voice is still raspy and soulful, and Jamie Hince’s guitar playingContinue reading “Album Review: The Kills- God Games”

The Future’s Here Today: Screensaver

There are few things finer in life than hearing about a new release from Upset The Rhythm. The Australian rascals called Screensaver are described as “synth punks” and make energetic, fizzy music that throws you around and bites you like a chew toy. Decent Shapes, the forthcoming album, is released on October 20th, so that’sContinue reading “The Future’s Here Today: Screensaver”

Lost In Music: The Smiths- Paint A Vulgar Picture

Since Sinead O’Connor sadly passed away last week, I’ve been thinking about her a lot, as so many of us have. This strong but fragile, beautiful and tough woman, so troubled with so much shit and abuse from her childhood, casting a long shadow. Gifted people are often the most troubled – a cliche becauseContinue reading “Lost In Music: The Smiths- Paint A Vulgar Picture”

Lawrence: Perennial Pop Genius

Not found in the usual outlets, Lawrence is, as I may have previously stated, a pop genius. At the start of 2023, to little fanfare, Mozart Estate (previously Go-Kart Mozart) released the singular ‘Pop-Up! Kerching!And The Possibilities of Modern Shopping’. Lawrence has crafted THE austerity era album here,bar none. Mr Hayward, the Brummie maverick behindContinue reading “Lawrence: Perennial Pop Genius”