Film Review: Pauline Black: A Two Tone Story

What a brilliant, beautiful and triumphant documentary on The Selecter frontwoman Pauline Black. Directed by Jane Mingay, it’s as unflinching, witty and eloquent as Black herself. It’s not simply a music documentary, it’s also a time capsule of the divided late seventies in Britain, a fascinating insight into the formation of the Thatcher-baiting Black/white movementContinue reading “Film Review: Pauline Black: A Two Tone Story”

Film Review: The Favourite

Ooh, Yorgos Lanthimos and your batshit, genre -defying film oeuvre. Part Peter Greenaway, part Blackadder, The Favourite is another bonkers example of why his work resonates with so many people. Olivia Coleman is Queen Anne, the bratty, capricious monarch whose devotion only extends as far as her collection of rabbits. People mostly deserve contempt, andContinue reading “Film Review: The Favourite”

Film Review: Maisie

There’s a certain kind of Drag on the UK that doesn’t involve death drops and pole dancing. Instead, it falls within the pantomime, vaudeville theatre and cabaret tradition: think singing the songs from A Chorus Line, rather than lip syncing to Lady Gaga. Lee Cooper ‘s warm and low-key film offers the exemplar of thisContinue reading “Film Review: Maisie”

Film Review: A Complete Unknown

Another year, another music biopic about a problematic genius. James Mangold has of course got previous with Walk The Line. A Complete Unknown isn’t much of a departure from the Johnny Cash film, as it’s also a good character study. Here, the truculent rebel is one Bob Dylan, right at the start of his career.Continue reading “Film Review: A Complete Unknown”

Film Review: The Public Image Is Rotten (2017)

Director Tarrbert Fiiller’s documentary on Public Image Ltd. is downbeat, insightful and strangely touching, poking at the open wounds involved when working alongside the inimitable John Lydon. With rare access to interviews with the imp himself, plus ex-band members like Keith Levene, Allan Dias and Martin Atkins, it’s more intimate and candid than your average,Continue reading “Film Review: The Public Image Is Rotten (2017)”

Three Film Satires For the Second Trump Administration

President Donald J Trump’s second swing into politics has already seen deportations, trade wars and a complete lack of remorse for a plane and helicopter crash that could have been prevented. Then there is the farcical inauguration itself, with more than a tilt towards oligarchy: tech billionaires placed front and centre, right in front ofContinue reading “Three Film Satires For the Second Trump Administration”

Film Review: Since Yesterday- The Untold Story of Scotland’s Girl Bands

Carla J Easton and Blair Young’s film focuses on the best girl bands from Scotland, asking why they’re lesser known than their male counterparts, and why this is still happening in today’s music industry. Easton herself, ex- Teen Canteen and now a solo artist, narrates the film. It’s a heartfelt look at more obscure artistsContinue reading “Film Review: Since Yesterday- The Untold Story of Scotland’s Girl Bands”

In Heaven, Everything Is Fine…

I’m not the biggest fan of the late David Lynch, because of his more problematic elements (depictions of gendered violence, exploitation etc) but he was unquestionably a smart, bold auteur who took risks in every project he took on. His admirers are aware of the complexities within his work. I adore the peerless 1977 classicContinue reading “In Heaven, Everything Is Fine…”

Overlooked Classics: Sound Of Metal

Is this too recent to be considered a cult classic? I don’t think so. Not enough people have seen this masterpiece from director and co-writer Darius Marder, it would seem. But everyone should, it’s nothing short of exceptional, a beautifully crafted story of love and survival. British actor Riz Ahmed portrays Ruben, a battering ramContinue reading “Overlooked Classics: Sound Of Metal”

Film Review: Queendom

Times are truly appalling. With the Orange Menace having been sworn in as president of the United States yesterday, cosying up to tech billionaires and hellbent on promoting “only two genders”, this fascinating, deeply moving documentary film from Agniya Galdanova is a reminder of how art can flourish in the wake of capitalist greed andContinue reading “Film Review: Queendom”