Preview: Women In Revolt! @ Tate Britain

This is an enormously exciting bit of news . Tate Britain has just announced a new exhibition, starting on November 8th, showing the seismic shift in female-led art, politics and culture in the UK. Because it’s not just about Thatcher, The Clash and The Sex Pistols. WOMEN IN REVOLT!ART AND ACTIVISM IN THE UK 1970-1990Continue reading “Preview: Women In Revolt! @ Tate Britain”

Put Blood In The Music: Sonic Youth and John Zorn

This film, directed by Charles Atlas for The South Bank Show in 1989, was what made me fall in love with SY, and admire Zorn. Using a fanzine type approach to his montage – talking heads floating in front of New York street scenes, it’s a typically playful approach from Atlas (more of whom, later).Continue reading “Put Blood In The Music: Sonic Youth and John Zorn”

Worth Revisiting: Wild Man Blues

‘Grumpy Old Man B!ues’, more like. What a miserable old git Woody Allen is. That’s the takeaway from Barbara Kopple’s 1997 documentary on the legendary but controversial film director. Holding forth on his favourite subjects: New York; himself, jazz, himself, Paris, himself, travel, himself, and, mostly, himself, the camera follows him, alongside his very youngContinue reading “Worth Revisiting: Wild Man Blues”

Film Review: Beau Is Afraid

Pitched between hysterical mayhem and an eerie calm, Beau Is Afraid makes Get Out look like The Wiggles. This almost three hour epic is trippy indeed, with all the logic of a fever dream.Although written and directed by Ari Aster it’s like a Kafka compendium created by Paul Thomas Anderson, with a soupcon of DavidContinue reading “Film Review: Beau Is Afraid”

Overlooked Classics: Night On Earth (1991)

Among Jim Jarmusch’s many films, I feel two are often overlooked, Ghost Dog (Way Of The Samurai) and Night On Earth. The former, I’ll get to later, but I often wonder why this is the case. Night On Earth has all of the JarmuschIan qualities you’d expect: deadpan humour; strangers thrown together by circumstances outContinue reading “Overlooked Classics: Night On Earth (1991)”

Film Review: #Unfit

Directed by Dan Partland, #Unfit :The Psychology of Donald Trump is a compelling, thoroughly absorbing and sobering documentary from 2020, which posits that the Orange Menace may in fact be, as many have long suspected, a malignant narcissist, who is not merely unfit for office, but a global threat. It does allude to The GoldwaterContinue reading “Film Review: #Unfit”

Film Review: Hail, Satan?

There is a HELL of a lot to unpack in Penny Lane’s brilliant documentary Hail, Satan? as it seems quite jocular at first, even rather silly. As it develops though, it seems that tone is a trick to wrong -foot any audience expectations, and a more thoughtful film emerges.Essentially, it’s all a battle of willsContinue reading “Film Review: Hail, Satan?”

Film Review: Mad To Be Normal

This film, starring David Tennant as psychiatrist RD Laing, has a play-like quality, in that it’s pretty static and dialogue -driven, with a gloomy, cigarette stained sepia tone, and a consistently murky atmosphere. But whereas Ian Pattison’s play on the man, Divided, had plenty of light and shade, Mad To Be Normal feels pretty oneContinue reading “Film Review: Mad To Be Normal”

Film Review: Boom For Real

Anyone who’s ever seen Julian Schnabel’s good but flawed film Basquiat knows where this documentary gets its name from: a news report that artist Jean – Michel Basquiat sampled this anguished line from, and turned into an artwork. Sara Driver’s documentary, from 2018, subtitled The Late Teenage Years of Jean-Michel Basquiat , takes a muchContinue reading “Film Review: Boom For Real”

Worst. Music. Documentary. Ever.

What a howler music documentary Madonna: The Name Of The Game, from 1993, is. Presented by Troy McClure alike (albeit with Ned Flanders’ stylist) Mark Bego, it’s got all the insight of a tabloid article, and the production values of an Alan Partridge corporate video. And nothing says Madonna like an ABBA hit for aContinue reading “Worst. Music. Documentary. Ever.”