Album Review: All The Young Droids: Junkshop Synth Pop

Philip King’s compilation of late-seventies – mid-eighties synth pop has a similar, if less political, approach as Adam Curtis: find leftfield, obscure tracks and highlight them, creating a sideways look at pop culture. As the title suggests, there is a DIY, deliberately un-glossy attitude to much of the music on offer. Frankie Goes To HollywoodContinue reading “Album Review: All The Young Droids: Junkshop Synth Pop”