Film Review: The Witch

Anya Taylor-Joy (above) as Thomasin and Kate Dickie (below) as her mother Kate. Robert Eggers doesn’t make conventional mainstream period films. Instead, like a spider spinning a complex, intricate web, the director creates moody pieces which mess with your subconscious state , unfurling at a stately pace. ‘The Witch’, set in the 1630s, has anContinue reading “Film Review: The Witch”